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|a (OCoLC)on1049981760
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|a TXAM
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|a Virtual works -- actual things :
|b essays in music ontology /
|c edited by Paulo de Assis.
|
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1 |
|a Leuven :
|b Leuven University Press,
|c [2018]
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| 300 |
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|a 1 online resource (208 pages)
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|a Orpheus Institute series
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|a Includes bibliographical references and index.
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8 |
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|a What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? 'Virtual Works -- Actual Things' addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike.
|
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0 |
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|a Print version record.
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| 505 |
0 |
0 |
|t Introduction
|r Paulo de Assis --
|t Virtual works -- actual things
|r Paulo de Assis --
|t Locating the performable musical work in practice: a non-platonist interpretation of the "classical paradigm" /
|r David Davies --
|t Towards a general theory of musical works and musical listening /
|r Gunnar Hindrichs --
|t The work of the performer /
|r John Rink --
|t Music as play: a dialogue /
|r Andreas Dorschel --
|t What anyway is a "music discomposed"? reading Cavell through the dark glasses of Adorno /
|r Lydia Goehr --
|t Response 1, What Is a music dis-discomposed? /
|r Kathy Kiloh --
|t Response 2, Krenek, Cage, and Stockhausen in Cavell's "Music discomposed" /
|r Jake McNulty --
|t Response 3, Stanley Cavell's "Music discomposed" at 52 /
|r Paulo de Assis.
|
| 650 |
|
0 |
|a Music
|x Philosophy and aesthetics.
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|a Music
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|0 (OCoLC)fst01030408
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| 655 |
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|a Electronic books.
|2 local
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1 |
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|a Assis, Paulo de,
|e editor.
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| 710 |
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|a JSTOR (Organization)
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8 |
|i Print version:
|t Virtual works? actual things. Essays in music ontology.
|d Leuven : Leuven UP 2018
|z 9789462701403
|w (OCoLC)1023383797
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| 830 |
|
0 |
|a Orpheus Institute series.
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|u https://www.jstor.org/stable/10.2307/j.ctv4rfrd0
|z Connect to the full text of this electronic book
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| 952 |
f |
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|a Texas A&M University
|b College Station
|c Electronic Resources
|d Available Online
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|e ML3800
|h Library of Congress classification
|
| 998 |
f |
f |
|a ML3800
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|