Table of Contents:
  • Introduction: avant-garde culture and technological transformations
  • Reframing the historical avant-garde
  • media, historiography and method
  • The dialectics of self-conception
  • film avant-garde and industry around 1930
  • Strategic convergence and functional differentiation
  • the film societies and ciné-clubs of the 1920s and 30s
  • Mapping a totality of networks, nodes and flows
  • discourses as practice
  • Vanishing point Soviet Union
  • Soviet cinema and the West between innovation and repression
  • Melodies across the oceans
  • the intersection of documentary and avant-garde
  • Conclusion
  • bridging the gaps, connecting the dots.