Gender and voice in medieval French literature and song /
| Corporate Author: | |
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
Gainesville :
University Press of Florida,
2021.
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| Edition: | 1. |
| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Introduction / Rachel May Golden and Katherine Kong
- Silence and Speech in Le Chevalier de la charrette / Katherine Kong
- It Takes Two: Considerations of Voice and Performance of the Male-Female Tenso / Tamara Bentley Caudill
- "Per vers o per chanso": Grammar, Gender, and Song in Aimeric de Peguilhan's Mangtas vetz sui enqueritz / Anne Adele Levitsky
- When Courtly Song Invades History: Lyricizing Blanche de Castile / Meghan Quinlan
- Gendered Grief, Temporality, and Reinvention in Two Northern French Crusade Songs / Rachel May Golden
- Real Men Preach: Constructions of Clerical Masculinity in the Context of Thirteenth-Century Crusade Preaching / Lydia M. Walker
- Chansons polies? Expressing Gendered Identity and Experience in the Ars antiqua Motet / Lisa Colton
- Jonete et Jolie: Polyphony and Gendered Voices in the Old French Motet / Anna Kathryn Grau
- "Et encore ne me puis taire": Voice, Gender, and Class in Christine de Pizan's Political Writings, 1405-1413 / Emily J. Hutchison
- Voiceover: Anne de Graville's Beau Romant, Boccaccio's Teseida, and Alain Chartier's Belle Dame sans mercy Daisy Delogu