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| LEADER |
00000cam a2200000Ii 4500 |
| 001 |
in00004633859 |
| 003 |
OCoLC |
| 005 |
20231020204605.7 |
| 008 |
220909t20222022enka b 001 0 eng d |
| 035 |
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|a (OCoLC)1344293629
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| 040 |
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|a YDX
|e rda
|c YDX
|d COO
|d BWK
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| 020 |
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|a 9781800643451
|q (hardcover)
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| 020 |
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|a 1800643454
|q (hardcover)
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| 043 |
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|a e-gr---
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| 050 |
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4 |
|a NA281
|b .S73 2022
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| 082 |
0 |
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|a 726.120809385
|2 23
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| 100 |
1 |
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|a St. Clair, William,
|e author.
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| 245 |
1 |
4 |
|a The classical Parthenon :
|b recovering the strangeness of the ancient world /
|c William St. Clair ; [edited by Lucy Barne, David St. Clair].
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| 264 |
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1 |
|a Cambridge, UK :
|b OpenBook Publishers,
|c [2022].
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| 264 |
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4 |
|c ©2022.
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| 300 |
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|a xiv, 325 pages :
|b illustrations ;
|c 24 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages [293]-312) and index.
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| 520 |
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|a Complementing Who Saved the Parthenon?, this companion volume sets aside more recent narratives surrounding the Athenian Acropolis, supposedly the very symbol of democracy itself, instead asking if we can truly access an ancient past imputed with modern meaning. And, if so, how? In this book, William St. Clair presents a reconstructed understanding of the Parthenon from within the classical Athenian worldview. He explores its role and meaning by weaving together a range of textual and visual sources into two innovative oratorical experiments, a speech in the style of Thucydides and a first-century CE rhetorical exercise which are used to develop a narrative analysis of the temple structure, revealing a strange story of indigeneity, origins and empire. The Classical Parthenon offers new answers to old questions, such as the riddle of the Parthenon frieze, and provides a framing device for the wider relationship between visual artefacts, built heritage and layers of accumulated cultural rhetoric. This groundbreaking and pertinent work will appeal across the disciplines to readers interested in the classics, art history and the nature of history, while also speaking to a general audience that is interrogating the role of monuments in contemporary society.
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| 610 |
2 |
0 |
|a Parthenon (Athens, Greece)
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| 651 |
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0 |
|a Greece
|x History.
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| 945 |
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|b 540966
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| 947 |
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|a A14851368838
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| 948 |
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|a dmitchel 10/20/23 3.44.28
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| 980 |
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|b print
|c 40031425500
|f NONFIC/B
|g 565714
|k USD
|m 39.65
|q 1
|s AcqMono Conventional
|t Approval plan
|u Vendor order reference number
|v ZYBP
|y Print approval
|z Physical resource
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| 999 |
f |
f |
|i 609f63e3-240c-4fc8-8b82-c09fc3af713b
|s 3995ca64-a6ff-4926-abd4-ddd0d9d282fd
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e NA281 .S73 2022
|h Library of Congress classification
|i unmediated -- volume
|m A14851368838
|
| 998 |
f |
f |
|a NA281 .S73 2022
|t 0
|l Evans: Library Stacks
|