rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Recording the classical guitar
  name:
    name part: Marrington, Mark
    role:
      role term: creator
    role:
      role term: author.
  type of resource: text
  genre: bibliography
  origin info:
    place:
      place term: nyu
    date issued: 2021
    copyright date: 2021
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: print
    extent: xii, 432 pages ; 27 cm.
  abstract: Recording the Classical Guitar explores the ways in which recording technologies and studio production techniques have shaped the performance aesthetics, repertoire and sound of the classical guitar over the last century. Covering the full context of music theory, this book places the history of classical guitar into a technological context, tracing its evolution from the early days into the digital era. Many of the instrument's key performance personalities are referenced as well as the strategies of leading recording engineers. Recording the Classical Guitar is accompanied by a companion website that offers engaging musical excerpts that will demonstrate concepts in the book and will be an essential resource to professionals and students of the classical guitar alike.
  table of contents: Recordings and the evolving identity of the classical guitar in the twentieth century -- Part 1. The recording model established. The classical guitar in the early period of recording : Spain ; Segovia at HMV (1923-1939) ; The classical guitar in the early period of recording : Latin America -- Part 2. The recording model consolidated. Segovia at American Decca ; The North American backdrop to Segovia ; Developments in Latin America -- Part 3. The recording model interrogated. Nationalism and modernism in the recordings of Julian Bream ; Non-conformity in the recordings of John Williams ; The wider European context -- Part 4. The recording model deconstructed. Post-Segovian narratives of the classical guitar ; Retaining and revitalizing the tradition ; Narrative threads since the 1990s ; Two contemporary "house" guitarists and the future of classical guitar recording practice.
  note: Mark Marrington.
  note: "A Focal Press book."
  note: Includes bibliographical references (pages 371-413) and index.
  subject:
    topic: Guitar music
    topic: History and criticism
  subject:
    topic: Sound recordings
    topic: Production and direction
    topic: History
    temporal: 20th century
  classification: ML1015.G9 M38 2021
  classification: 787.87149
  related item:
    title info:
      title: Perspectives on music production
  identifier: 1138554685
  identifier: 1138554707
  identifier: 9781138554689
  identifier: 9781138554702
  identifier: 9781315149134
  identifier: 2020042909
  record info:
    record content source: DLC
    record creation date: 200917
    record change date: 20250816185346.3
    record identifier: in00004607042