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Metafilm music in Jean-Luc Godard's cinema /

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Bibliographic Details
Main Author: Baumgartner, Michael, 1961- (Author)
Corporate Author: ProQuest (Firm)
Format: eBook
Language:English
Published: New York, NY : Oxford University Press, [2022]
Series:Oxford music/media series.
Subjects:
Godard, Jean-Luc, > 1930- > Criticism and interpretation.
Motion picture music > History and criticism.
Film, Musique de > Histoire et critique.
Godard, Jean-Luc, > 1930-
Motion picture music.
Electronic books.
Online Access:Connect to the full text of this electronic book
Table of Contents:
  • Gapped Music in Godard's 1960s Films : Dissection of the Musical Unity as a Self-Reflexive Exercise
  • Leitmotif Technique Revisited: Indexical Function of Multiply Repeated Musical Fragments in Godard's 1960s Films as Manifestations of Metafilm Music
  • The Undoing of the Leitmotif Technique : Quotation, Fragmentation, and Repetition in Godard's 1960s
  • Films with Beethoven, Schumann, and Pseudo-Bach as Metafilm Music
  • Quoting Popular Songs : Chanson and Canzone as Metafilm Music in Godard's Work
  • Referencing Silent Film Music : Metafilm Music, Mise-en-sceÌ€ne, Acting, and Storytelling
  • Referencing Music-Specific Genres and Genre-Specific Music : Metafilm Music, "CineÌ?ma-en-kit" Musical, and Pastiched Film Noir Music
  • Referencing Film Music as a Genre : Metafilm Music, Prototypes of Film Music as Genre Mash-Up, and Melodramatic Commutation
  • Music-Making as Metaphor for Filmmaking I : Metafilm Music in One Plus One and PreÌ?nom: Carmen
  • Music-Making as Metaphor for Filmmaking II : Metafilm Music in Soigne ta droite (Une place sur la terre)
  • Conclusion. "Two or Three Things I Know about Metafilm Music(s)".