The future imaginary in indigenous North American arts and literatures /

"This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity bu...

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Bibliographic Details
Main Author: Baudemann, Kristina (Author)
Format: Book
Language:English
Published: Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2022.
Series:Routledge research in transnational indigenous perspectives.
Subjects:

MARC

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100 1 |a Baudemann, Kristina,  |e author. 
245 1 4 |a The future imaginary in indigenous North American arts and literatures /  |c Kristina Baudemann. 
264 1 |a Abingdon, Oxon ;  |a New York, NY :  |b Routledge, Taylor & Francis Group,  |c 2022. 
264 4 |c Â©2022 
300 |a 237 pages ;  |c 25 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
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490 1 |a Routledge research in transnational indigenous perspectives 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: "turning our backs on Mars" -- futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy. 
520 |a "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--  |c Provided by publisher. 
650 0 |a Science fiction, American  |x Indian authors  |x History and criticism. 
650 0 |a American fiction  |x 21st century  |x History and criticism. 
650 0 |a Science fiction, Canadian  |x Indian authors  |x History and criticism. 
650 0 |a Canadian fiction  |x 21st century  |x History and criticism. 
650 0 |a Indian art  |z North American. 
650 0 |a Indian arts  |z Canadian  |y 21st century. 
650 0 |a Indian arts  |z United States  |y 21st century. 
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952 f f |p normal  |a Texas A&M University  |b College Station  |c Sterling C. Evans Library  |d Evans: Library Stacks  |t 0  |e PS153.I52 B38 2022  |h Library of Congress classification  |i unmediated -- volume  |m A14851581109 
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