http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
1. Introduction -- 2. Mother Tongue: Dance and Language, an Autobiographical Excavation -- 3. From danzon to salsa. Archives, dancing body and cultural memory in Cuba -- 4. Feeling With, Moving Toward: Empathetic Attunement as Dance Reconstruction Methodology -- 5. The tanda and Afro-Argentine memory: Remembering Black Buenos Aires through tango -- 6. Salsa con Afro -- 7. Dancing the Gone-Too-Soon, Re-Membering Slaverys Persistent Wound: Young Black Ghosts in Popular American Performance -- 8. Embodying and transmitting cultural memory through tap dance: Shuffling with my dancestors -- 9. Recognizing sources, not being copies: Constructions of cultural memory and ownership by French urban dancers -- 10. Learning dances, forgetting borders: Embodied national remembering and the role of the ethnographer in the Hungarian tanchaz revival -- 11. Limbo like me: limberness and refugee experience -- 12. From Colonial Subject to Independence: Carinosa and Tinikling -- 13. Youthful Bodies as Mnemonic Artifacts: Traversing the Cultural Terrain from Traditional to Popular Dances in Post Independent Ghana -- 14. Dance Performance and Memory in Post-War Peru -- 15. Beyond the hips: The Afro-Ecuadorian dance of Bomba in Chota-Mira Valley as an affective space to remember -- 16. What When I Yearn to Dance Along!? : The Transmission of (Be)Longing and Nostalgia in Popular Screendance -- 17. Parading the Past, Taming the New: Popular Dance Excursions -- 18. Speaking the Unspeakable: the cancan and the classical canon -- 19. Dionysus meets neoliberalism: Zumba Fitness as an example of Zorbitality -- 20. Bent History? The Late-Modern Uses and Abuses of Historical Imagery Showing Men Dancing Tango with Each Other -- 21. Conclusions.