The films of Doris Wishman /
| Other Authors: | , |
|---|---|
| Format: | eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
[2021]
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| Series: | ReFocus, the American directors series.
|
| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- List of figures
- Notes on Contributors
- Acknowledgments
- Foreword
- Joan Hawkins
- Introduction: Making Films in Hell / Alicia Kozma and Finley Freibert
- Part 1. Gender and Genre
- The Body as Apparatus: Doris Wishman's Double Agent 73 / Elena Gorfinkel
- The Girls in the Mirror: Women's Horror Filmmaking and Doris Wishman's Each Time I Kill / Alexandra Heller-Nicholas
- Trans/sexual Negativity and the Ethics of (S)exploitation in Let me Die a Woman / Harper Shalloe
- Part 2. Cultural History and Adult Film Studies
- Hardcore Wishman / Whitney Strub
- Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman's Roughies / Finley Freibert
- "It's strange but it's wonderful": Doris Wishman's Nude on the Moon / Karen Joan Kohoutek
- Part 3. Comparative Approaches to Authorship
- Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion / Hannah Greenberg
- Revolutionization of the Erotic Screen: The Films of Doris Wishman and Wakamatsu Koji / Molly Kim
- "You can't say you're not getting a horror film here!": Authorship, Genre, and the Accidental Avant-Garde in Doris Wishman's A Night to Dismember / Jamie Hook
- My Teenage Cinematic Love Affair with Doris Wishman / Rebekah McKendry.