Table of Contents:
  • List of figures
  • Notes on Contributors
  • Acknowledgments
  • Foreword
  • Joan Hawkins
  • Introduction: Making Films in Hell / Alicia Kozma and Finley Freibert
  • Part 1. Gender and Genre
  • The Body as Apparatus: Doris Wishman's Double Agent 73 / Elena Gorfinkel
  • The Girls in the Mirror: Women's Horror Filmmaking and Doris Wishman's Each Time I Kill / Alexandra Heller-Nicholas
  • Trans/sexual Negativity and the Ethics of (S)exploitation in Let me Die a Woman / Harper Shalloe
  • Part 2. Cultural History and Adult Film Studies
  • Hardcore Wishman / Whitney Strub
  • Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman's Roughies / Finley Freibert
  • "It's strange but it's wonderful": Doris Wishman's Nude on the Moon / Karen Joan Kohoutek
  • Part 3. Comparative Approaches to Authorship
  • Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion / Hannah Greenberg
  • Revolutionization of the Erotic Screen: The Films of Doris Wishman and Wakamatsu Koji / Molly Kim
  • "You can't say you're not getting a horror film here!": Authorship, Genre, and the Accidental Avant-Garde in Doris Wishman's A Night to Dismember / Jamie Hook
  • My Teenage Cinematic Love Affair with Doris Wishman / Rebekah McKendry.