Leonor Antunes : a seam, a surface, a hinge, or a knot /

Engaging the histories of art, architecture, and design, Leonor Antunes reflects on the functions of everyday objects, contemplating their potential to be materialized as abstract sculptures. She investigates the values and ideas embedded in things as well as in vernacular traditions and craft. Over...

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Bibliographic Details
Main Author: Ribas, João (Author)
Corporate Author: Biennale di Venezia
Other Authors: Antunes, Leonor, 1972-
Format: Conference Proceeding Book
Language:English
Published: Berlin : Sternberg Press, [2019]
Subjects:

MARC

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245 0 0 |a Leonor Antunes :  |b a seam, a surface, a hinge, or a knot /  |c essays: João Ribas [and three others]. 
246 3 0 |a Seam, a surface, a hinge, or a knot 
264 1 |a Berlin :  |b Sternberg Press,  |c [2019] 
264 4 |c ©2019 
300 |a 116 pages :  |b color illustrations ;  |c 29 cm 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
500 |a Title from cover. 
500 |a Chiefly illustrated. 
504 |a Includes bibliographical references. 
585 |a On the occasion of the official Portuguese representation at the 58th International Art Exhibition - La Biennale di Venezia, May 11 - November 24, 2019. 
520 8 |a Engaging the histories of art, architecture, and design, Leonor Antunes reflects on the functions of everyday objects, contemplating their potential to be materialized as abstract sculptures. She investigates the values and ideas embedded in things as well as in vernacular traditions and craft. Over the last two years, the artist has researched postwar figures active in Venice, Milan, and Turin who had a predominant role in postwar reconstruction as well as how craftsmanship traditions, associated with particular forms of knowledge and making, intersect with this history. Accompanying Antunes's exhibition in the Portuguese Pavilion at the 58th Venice Biennale, a seam, a surface, a hinge, or a knot features texts by Briony Fer, Suzanne Cotter, Ana Teixeira Pinto, and curator João Ribas, as well as an artist's project of approximately twenty die-cut sheets based on drawings in the archive of Egle Trincanato, an architect, writer, photographer, and curator who worked in Venice. Exhibition: 58th Venice Biennale, Portuguese Pavilion, Venice, Italy (14.05. - 24.11.2019). 
505 0 0 |t The space for the city's memory graça fonseca --  |t Somewhere else américo rodrigues --  |t Introduction joão ribas --  |t Representing discrepancy ana teixeira pinto --  |t A forest of estrangement briony fer --  |t Harnessing the world suzanne cotter --  |t Exhibited works. 
600 1 0 |a Antunes, Leonor,  |d 1972-  |v Congresses  |v Exhibitions. 
600 1 7 |a Antunes, Leonor,  |d 1972-  |2 fast  |0 (OCoLC)fst01949106 
700 1 2 |a Antunes, Leonor,  |d 1972-  |t Sculptures.  |k Selections. 
700 1 |a Ribas, João,  |e author. 
711 2 |a Biennale di Venezia  |n (58th :  |d 2019 :  |c Venice, Italy),  |j host institution. 
852 8 |b pda,print  |z This title is available for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item may take 5-10 business days to arrive. 
955 |a Print PDA title 
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952 f f |a Texas A&M University  |b College Station  |c Sterling C. Evans Library  |d Purchase on Demand  |t 0  |e NB833.A58 A4 2019  |h Library of Congress classification 
998 f f |a NB833.A58 A4 2019  |t 0  |l Purchase on Demand