The singing voice in contemporary cinema /
This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, considers how the singing voice has helped define and/or confuse genre classification.
| Other Authors: | , |
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| Format: | Book |
| Language: | English |
| Published: |
Sheffield, UK ; Bristol, Connecticut :
Equinox Publishing Ltd,
[2020]
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| Series: | Genre, music and sound.
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| Subjects: |
Table of Contents:
- The singing voice in contemporary cinema / Diane Hughes and Mark Evans
- Singing, sonic authenticity and stardom in Dancer in the Dark / Nessa Johnston
- Find your voice: narratives of women's voice loss in American cinema / Katherine Meizel
- Singing a life in bondage: Black vocality and subjectivity in 12 years a slave / Gianpaolo Chiriacò
- Ghost singers: the singing voice in Korean pop cinema / Sarah Keith and Alex Mesker
- Voices of Sheila: resignification in filmic and non-filmic contexts / Nina Menezes
- Before #MeToo: hearing vulnerability / Diane Hughes and Mark Evans
- Trailer trash or inspired vocalization?: song as promotion and aesthetic object in cinematic previews / James Deaville and Agnes Malkinson
- "You've got a friend in me": singing voices in the Toy Story films / Natalie Lewandowski and Penny Spirou
- The singing voice and its use to evoke unease, discomfort and violence / Liz Giuffre and Mark Thorley
- The female singing voice: gospel, blues, epic stories and animation / Anne Power
- From despicable to happy: animated vocality in the evolution of Felonius Gru / Veronica Stewart and Diane Hughes.