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Burke Collection of Italian manuscript paintings
The outstanding Burke Collection of Italian miniatures, which is housed in Special Collections in the the Stanford University Libraries, has been built over more than twenty years and includes manuscript leaves, cuttings, and codices by many of the greatest Italian artists of the medieval and Renaissance periods. Works in the collection range in date from the 12th through the 16th centuries, and in them we see masterfully painted initials, borders, and miniatures that enhance our appreciation of the great skill that John Ruskin called writing made beautiful. Comprised of over 40 miniatures from 35 different artists representing 13 different regions of Italy, the collection is characterized by its astonishingly high quality. It includes works produced by the most renowned Italian illuminators, who are often also documented as painters. Artists from Florence and Siena are certainly the best represented in the Burke collection. These include masterpieces by Don Simone Camaldolese and Lorenzo Monaco of Florence, and Giovanni di Paolo and Pellegrino di Mariano of Siena. The collection equally underlines the range of styles achieved by Italian illuminators active in Emilia-Romana, where great interpreters of Giotto were active, such as Neri da Rimini, Tommaso da Modena, and Nicolò di Giacomo, as well as masterpieces of the Venetian school, such as works by Cristoforo Cortese and the Master of the Murano Gradual. Lombardy is represented by one of the notable specialists of late Gothic painting, the Olivetan Master. Among the many highlights, there is the incomparable and world-class Crucifixion of the Master of Saint Francis of Assisi.
edited by Sandra Hidman and Federica Toniolo ; introduction by Christopher de Hamel.
Includes bibliographical references (pages 433-457) and indexes.
Department of Special Collections and University Archives
Illumination of books and manuscripts, Medieval
Illumination of books and manuscripts, Italian