Cover Image

The Bloomsbury handbook of sonic methodologies /

Bibliographic Details
Corporate Author: Bloomsbury (Firm)
Other Authors: Bull, Michael, 1952- (Editor), Cobussen, Marcel, 1962- (Editor)
Format: eBook
Language:English
Published: New York, NY : Bloomsbury Academic, 2021.
Series:Bloomsbury handbooks.
Subjects:
Sound > Research.
Interdisciplinary research.
Electronic books.
Online Access:Connect to the full text of this electronic book
Table of Contents:
  • Cover
  • Contents
  • List of Illustrations
  • List of Contributors
  • Introduction Michael Bull and Marcel Cobussen
  • Part I Disciplines, Methodologies, Epistemologies
  • 1 Introduction to Part I: Sounds Inscribed onto the Face
  • Rethinking Sonic Connections through Time, Space, and Cognition Michael Bull
  • 2 Sonic Methodologies in Anthropology Alexandrine Boudreault-Fournier
  • 3 Sonic Methodologies by Way of Deconstruction Naomi Waltham-Smith
  • 4 Nature's Music: Sonic Methodologies in the Study of Environmental Biology Wouter Halfwerk
  • 5 Hearing With: Researching the Histories of Sonic Encounter James G. Mansell
  • 6 Sonic Methodologies in Urban Studies Christabel Stirling
  • 7 Sound and Pedagogy: Taking Podcasting into the Classroom Neil Verma
  • 8 Sonic Methodologies in Literature Justin St. Clair
  • 9 Sonic Materialism and/as Method Tyler Shoemaker
  • 10 Sonic Methodology in Philosophy Elvira Di Bona
  • 11 Sonic Methodologies in Science and Technology Studies Joeri Bruyninckx and Alexandra Supper
  • 12 The Sonic Environment in Urban Planning, Environmental Assessment and Management A. Lex Brown
  • 13 Sonic Methodologies in Medicine Jos J. Eggermont
  • 14 Soundscape as Methodology in Psychoacoustics and Noise Management André Fiebig and Brigitte Schulte-Fortkamp
  • 15 Sonic Methodologies of Sound Salomé Voegelin
  • Part II Sound Arts, Musics, Spaces
  • 16 Introduction to Part II: Art
  • Research
  • Method Marcel Cobussen
  • 17 Ambulatory Sound-Making: Rewriting, Reappropriating, 'Presencing' Auditory Spaces Elena Biserna
  • 18 Sound Installations for the Production of Atmosphere as a Limited Field of Sounds Jordan Lacey
  • 19 Fragile Devices: Improvisation as an Interdisciplinary Research Methodology Rebecca Caines
  • 20 'The Music Comes from Me': Sound as Auto-Ethnography Darla Crispin
  • 21 Sound beyond Representation: Experimental Performance Practices in Music Lucia D'Errico
  • 22 Performing Centrifugal Sound G Douglas Barrett
  • 23 How to Cut Up a Record? Paul Nataraj
  • 24 Directing Listening: Sound Design Methods from Film to Site-Responsive Sonic Art Ben Byrne
  • 25 Sound, Space, and Pneumatic Valves: Using Pneumatic Valves as Sound Sources to Create Spatial Environments Edwin van der Heide
  • 26 The Overheard: An Attuning Approach to Sound Art and Design in Public Spaces Marie Højlund, Jonas R. Kirkegaard, Michael Sonne Kristensen, and Morten Riis
  • 27 Sound on Sound: Considerations for the Use of Sonic Methods in Ethnographic Fieldwork inside the Recording Studio Paul Thompson
  • 28 Ecological Sound Art Jonathan Gilmurray
  • 29 Hydrophonic Fields Jana Winderen interviewed by Stefan Helmreich
  • 30 Melt Me into the Ocean: Sounds from Submarine Spaces Yolande Harris