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poetics of plants in Spanish American literature
The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda's Canto general, Lesley Wylie's close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as "nacido de árboles." The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how environmental thinking by way of plants has a long history in Latin American literature.
Introduction: The poetics of plants in Spanish American literature -- "¡Salve, fecunda zona!" : sugar, soy, and the limits of the Spanish American georgic -- Plants and plantations : floriography, femininity, and the horticulture of hair in Sab and María -- "Nacido de árboles" : Carpentier's vegetal baroque -- What is it like to be a tree? Anthropomorphism, phytomorphism, and Spanish American culture -- "No termino en mí mismo" : "Vegetal-thinking" in Pablo Neruda.
Includes bibliographical references and index.