The Idea of the Labyrinth from Classical Antiquity through the Middle Ages /
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective-the baffling, fragmented prospect confronting the maze-treader within ...
| Main Author: | |
|---|---|
| Corporate Author: | |
| Format: | eBook |
| Language: | English |
| Language Notes: | In English. |
| Published: |
Ithaca, NY :
Cornell University Press,
[2019]
|
| Series: | Online access: De Gruyter De Gruyter Open Books.
|
| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Frontmatter
- Contents
- List of Plates
- Acknowledgments: Four Labyrinths
- Abbreviations
- Introduction: Charting the Maze
- PART ONE. The Labyrinth in the Classical and Early Christian Periods
- CHAPTER ONE. The Literary Witness: Labyrinths in Pliny, Virgil, and Ovid
- CHAPTER. TWO. The Labyrinth as Significant Form: Two Paradigms
- CHAPTER THREE. A Taxonomy of Metaphorical Labyrinths
- PART TWO. The Labyrinth in the Middle Ages
- CHAPTER FOUR. Etymologies and Verbal Implications
- CHAPTER FIVE. Mazes in Medieval Art and Architecture
- CHAPTER SIX. Moral Labyrinths in Medieval Literature
- CHAPTER SEVEN. Textual Labyrinths: Toward a Labyrinthine Aesthetic
- PART THREE. Labyrinths of Words: Central Texts and I ntertextualities
- CHAPTER EIGHT. Virgil's Aeneid
- CHAPTER NINE. Boethius's Consolation of Philosophy
- CHAPTER TEN. Dante's Divine Comedy
- CHAPTER ELEVEN. Chaucer's House of Fame
- APPENDIX. Labyrinths in Manuscripts
- Index