Table of Contents:
  • Introduction: Refashioning the Nation in Transnational Cinema and Art
  • Part 1: Nationhood, Gender, Sexuality, Masculinity in Feature Film
  • 1.Projecting the Chinese Nation on Domestic and Global Screens
  • 2. Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film
  • 3. Re-orientations of Hong Kong Cinema and Transformations of Masculinity
  • 4. Masculinity in Crisis: Male Characters in Jia Zhangke's Films
  • Part 2. Multimedia Engagements with the Local, National, and Global
  • 5. Peripheral, Underground, and Independent Cinema
  • 6. Performing and Romancing the Other in Film, Television Drama, and Ballet
  • 7. Reshaping Beijing's Space: Architecture, Art, Photography, Film
  • 8. Artistic and Multimedia Interventions
  • Conclusion: Globalization at Bay Filmography
  • Bibliography
  • Index.