Complete motets from Florilegium Portense /

"Martin Roth was a student and later cantor at the Pforta school near Leipzig. His sixteen surviving motets are contained in the anthology Florilegium Portense, issued in two volumes in 1618 and 1621. Consisting largely of double-choir motets, this collection is a retrospective of late Renaissa...

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Bibliographic Details
Main Author: Roth, Martin, 1579 or 1580-1610 (Composer)
Other Authors: Jodry, Frederick (Editor)
Format: Musical Score Book
Language:Multiple languages
German
Latin
Language Notes:German or Latin words, also printed separately with English translations.
Published: Middleton, Wisconsin : A-R Editions, Inc, [2021]
Series:Recent researches in the music of the Baroque Era ; v. 218.
Subjects:
Description
Summary:"Martin Roth was a student and later cantor at the Pforta school near Leipzig. His sixteen surviving motets are contained in the anthology Florilegium Portense, issued in two volumes in 1618 and 1621. Consisting largely of double-choir motets, this collection is a retrospective of late Renaissance style, intersecting with seventeenth-century usage in Lutheran churches. The collection consists of 165 pieces by about ninety composers and was used widely in schools and churches throughout central Germany. These motets were performed on a weekly basis as late as 1770 for services at the main churches in Leipzig; J. S. Bach purchased new copies in use at the St. Thomas School in 1729, mentioning that the old copies had been sung to pieces (zersungen). The fact that such late-Renaissance motets were performed in rotation for some 150 years in Leipzig lends depth to our understanding of baroque performance practice." --
Item Description:For 7 or 8 voices with basso continuo.
Preface and critical report in English.
Physical Description:1 score (xiii, 196 pages) : facsimile ; 31 cm
Bibliography:Includes bibliographical references.
ISBN:9781987206241
198720624X
ISSN:0484-0828 ;