Michelangelo's design principles, particularly in relation to those of Raphael /
"In 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo-originally submitted to Hamburg Un...
| Main Author: | |
|---|---|
| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Language Notes: | Translated from the German. |
| Published: |
Princeton :
Princeton University Press,
[2020]
|
| Subjects: |
Table of Contents:
- Part 1: Premises-Material Histories: Raphael and the Works of Michelangelo
- Michelangelo and the Works of Other Masters
- Part 2: Inferences-Stylistic Analyses: Section 1. The Representation of the Individual Figure in Art: The Design of the Body in Classic Art, Especially Raphael (The Principle of Centred Unfolding)
- The Design of the Body in Michelangelo (The Principles of Centred Unfolding and Cubic Constraint in Conflict)
- The Organization of Form in the Plane Countercheck: The 'Single-Viewpoint Character' of Michelangelo's Sculpture
- The Conception of Man as Regards the Constitution of his Psyche
- Bibliography (reconstructed by Gerda Panofsky)
- Appendix 1: Other Arrangements of the Material
- Appendix 2: Notes on the Draft Designs for the Façade of San Lorenzo, Florence
- List of Non-German Expressions (compiled by the translator).