Michelangelo's design principles, particularly in relation to those of Raphael Gestaltungsprincipien Michelangelos, besonders in ihrem Verhältnis zu denen Raffaels. English Panofsky, Erwin 1892-1968 creator author. Panofsky-Soergel, Gerda 1929- editor. Spooner, Joseph translator. text bibliography History. nju 2020 2020 monographic eng ger print lxxx, 323 pages : illustrations ; 24 cm "In 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo-originally submitted to Hamburg University in March of 1920, abandoned when Panofsky fled Hitler's Germany in 1934, and thought to have been destroyed in the Allied bombings. A century on, Michelangelo's Design Principles makes this remarkable work available for the first time in English. Casting Panofsky's thought in an entirely new light, Michelangelo's Design Principles is the legendary scholar's only book-length examination of the art of the Italian Renaissance. He provides a compelling analysis of Michelangelo's artistic style and deftly compares it with that of Raphael, situating both Renaissance masters in the broader context of Western art. This illuminating book offers unique perspectives on Panofsky's early intellectual development and the state of research on Michelangelo and the High Renaissance at a period of transition in art history, when formalist readings of artworks began to take precedence over a biographical approach. Featuring an introduction by Gerda Panofsky that discusses the history of the manuscript and the significance of its rediscovery, Michelangelo's Design Principles is a crucial link between Panofsky's formalist training as a young art historian and his later work in iconology"--Dust jacket flap. Part 1: Premises-Material Histories: Raphael and the Works of Michelangelo -- Michelangelo and the Works of Other Masters -- Part 2: Inferences-Stylistic Analyses: Section 1. The Representation of the Individual Figure in Art: The Design of the Body in Classic Art, Especially Raphael (The Principle of Centred Unfolding) -- The Design of the Body in Michelangelo (The Principles of Centred Unfolding and Cubic Constraint in Conflict) -- The Organization of Form in the Plane Countercheck: The 'Single-Viewpoint Character' of Michelangelo's Sculpture -- The Conception of Man as Regards the Constitution of his Psyche -- Bibliography (reconstructed by Gerda Panofsky) -- Appendix 1: Other Arrangements of the Material -- Appendix 2: Notes on the Draft Designs for the Façade of San Lorenzo, Florence -- List of Non-German Expressions (compiled by the translator). Erwin Panofsky ; edited from the author's literary remains and with an introduction by Gerda Panofsky ; translated by Joseph Spooner. Includes bibliographical references (pages 273-287) and index. Translated from the German. e-it--- Michelangelo Buonarroti 1475-1564 Raphael 1483-1520 Art, Renaissance Italy Art criticism History 20th century Michelangelo Buonarroti 1475-1564 Raphael 1483-1520 Art criticism Art, Renaissance Italy 1900-1999 fast NB623.B9 P2513 2020 709.2 9780691165264 0691165262 pda,print TJC 200505 20250318222122.1 in00004354529 eng