Engineer, agitator, constructor : The artist reinvented, 1918-1939 : The Merrill C. Berman Collection /
"How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world. "We regarded ourselves as engineers, we maintained tha...
| Other Authors: | , , |
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| Format: | Book |
| Language: | English |
| Published: |
New York, NY :
The Museum of Modern Art, New York,
[2020]
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| Subjects: |
| Summary: | "How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world. "We regarded ourselves as engineers, we maintained that we were building things...we put our works together like fitters." So declared the artist Hannah Höch, describing a radically new approach to artmaking in the 1920s and '30s. Such wholesale reinvention of the role of the artist and the functions of art took place in lockstep with that era's shifts in industry, technology, and labor, and amid the profound impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire, and the rise of fascism. Highlighting figures such as Aleksandr Rodchenko, Lyubov Popova, John Heartfield, Marianne Brandt, and Fré Cohen, Engineer, Agitator, Constructor : The Artist Reinvented demonstrates the ways in which artists reimagined their roles to create a dynamic art for a new world. These "engineers," "agitators," "constructors," "photomonteurs," "workers" - all designations adopted by the artists themselves - turned away from traditional forms of painting and sculpture and invented new visual languages. Central among them was photomontage, in which photographs and images from newspapers and magazines were cut, remixed, and pasted together. Working as propagandists, advertisers, publishers, editors, theater designers, and curators, these artists engaged with expanded audiences in novel ways, establishing distinctive infrastructures for presenting and distributing their work. Published in conjunction with a major exhibition, Engineer, Agitator, Constructor celebrates the recent transformative addition to MoMA's holdings from the Merrill C. Berman Collection, one of the great private collections of early-twentieth-century political art and design. Essays by eminent scholars, conservators, artists, and poets consider the era's revolutionary art forms, such as photomontage and the New Typography; the essential role of women in the avant-garde; and the networks linking these artists across geographic and ideological borders. The exhibition presents the social engagement, fearless experimentation, and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today."--taken from publisher description. |
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| Item Description: | "Contributors : Jenny Anger" and 31 others.--page 285. "Published in conjunction with the exhibition 'Engineer, agitator, constructor : The artist reinvented, 1918-1939' at the Museum of Modern Art New York, May 10 - September 12, 2020."--page 287. "Organized by Jodi Hauptman, Senior Curator, Department of Drawings and Prints at The Museum of Modern Art, New York, and Adrian Sudhalter, Consulting Curator, with Jane Cavalier, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art, New York."--page 287. |
| Physical Description: | 288 pages : illustrations (some color), facsimiles, map, portraits ; 31 x 25 cm |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781633451087 1633451089 |