Post-cinema : cinema in the post-art era /

Post-cinema' designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in o...

Full description

Bibliographic Details
Other Authors: Chateau, Dominique (Editor), Moure, José (Editor)
Format: Book
Language:English
Published: Amsterdam : Amsterdam University Press, 2020.
Series:Key Debates: Mutations and Appropriations in European Film Studies
Subjects:

MARC

Tag First Indicator Second Indicator Subfields
LEADER 00000cam a2200000Ii 4500
001 in00004350037
008 200810s2020 enka b 001 0 eng d
005 20250318223904.3
020 |a 9789463727235 
020 |a 946372723X  |q hardback 
035 |a (OCoLC)on1182852647 
035 |a (OCoLC)1182852647 
040 |a YDX  |b eng  |e rda  |c YDX  |d ERASA  |d BDX  |d YDXIT 
050 4 |a PN1995  |b .P67 2020 
082 0 4 |a 791.4301  |2 23 
245 0 0 |a Post-cinema :  |b cinema in the post-art era /  |c edited by Dominique Chateau and José Moure. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2020. 
300 |a 365 pages :  |b illustrations ;  |c 24 cm. 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 0 |a Key Debates: Mutations and Appropriations in European Film Studies 
504 |a Includes bibliographical references and index. 
520 8 |a Post-cinema' designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition. 
650 0 |a Motion pictures  |x Philosophy. 
700 1 |a Chateau, Dominique,  |e editor. 
700 1 |a Moure, José,  |e editor. 
852 8 |b pda,print  |z This title is available for the library to purchase for your use. Click the "Purchase It For Me" button to place a request. This item may take 5-10 business days to arrive. 
955 |a Print PDA title 
961 |m 565730 
999 f f |s 50f4b7d5-c681-4db2-9e94-287b2658fd06  |i d720fe80-fa34-3a45-a0a4-54184356640e  |t 0 
952 f f |a Texas A&M University  |b College Station  |c Sterling C. Evans Library  |d Purchase on Demand  |t 0  |e PN1995 .P67 2020  |h Library of Congress classification 
998 f f |a PN1995 .P67 2020  |t 0  |l Purchase on Demand