Forde, T. (1661). Virtus rediviva: A panegyrick on our late King Charles the I. &c. of ever blessed memory. Attended, with severall other pieces from the same pen. Viz. [brace] I. A theatre of wits: being a collection of apothegms. II. Fœnestra in pectore: or a century of familiar letters. III. Loves labyrinth: a tragi-comedy. IV. Fragmenta poetica: or poeticall diversions. Concluding, with a panegyrick on his sacred Majesties most happy return. Printed by R. and W. Leybourn, for William Grantham, at the sign of the Black Bear in St. Pauls Church-yard neer the little north door; and Thomas Basset, in St. Dunstans Church-yard in Fleet-street..
Chicago Style (17th ed.) CitationForde, Thomas. Virtus Rediviva: A Panegyrick on Our Late King Charles the I. &c. of Ever Blessed Memory. Attended, with Severall Other Pieces from the Same Pen. Viz. [brace] I. A Theatre of Wits: Being a Collection of Apothegms. II. Fœnestra in Pectore: Or a Century of Familiar Letters. III. Loves Labyrinth: A Tragi-comedy. IV. Fragmenta Poetica: Or Poeticall Diversions. Concluding, with a Panegyrick on His Sacred Majesties Most Happy Return. [London]: Printed by R. and W. Leybourn, for William Grantham, at the sign of the Black Bear in St. Pauls Church-yard neer the little north door; and Thomas Basset, in St. Dunstans Church-yard in Fleet-street., 1661.
MLA (9th ed.) CitationForde, Thomas. Virtus Rediviva: A Panegyrick on Our Late King Charles the I. &c. of Ever Blessed Memory. Attended, with Severall Other Pieces from the Same Pen. Viz. [brace] I. A Theatre of Wits: Being a Collection of Apothegms. II. Fœnestra in Pectore: Or a Century of Familiar Letters. III. Loves Labyrinth: A Tragi-comedy. IV. Fragmenta Poetica: Or Poeticall Diversions. Concluding, with a Panegyrick on His Sacred Majesties Most Happy Return. Printed by R. and W. Leybourn, for William Grantham, at the sign of the Black Bear in St. Pauls Church-yard neer the little north door; and Thomas Basset, in St. Dunstans Church-yard in Fleet-street., 1661.