Forde, T. (1661). Theatre of wits: Ancient and modern attended with severall other ingenious pieces from the same pen [brace] viz. I. Faenestra in pectore, or, A century of familiar letters, II. Loves labyrinth: A tragi-comedy, III. Fragmenta poetica, or, Poetical diversions, IV. Virtus redivivi, a panegyrick on our late king Charles of ever blessed memory concluding with A panegyrick on His Sacred Majesties most happy return. Printed by R. and W. Leybourn, for Thomas Basset.
Chicago Style (17th ed.) CitationForde, Thomas. Theatre of Wits: Ancient and Modern Attended with Severall Other Ingenious Pieces from the Same Pen [brace] Viz. I. Faenestra in Pectore, or, A Century of Familiar Letters, II. Loves Labyrinth: A Tragi-comedy, III. Fragmenta Poetica, or, Poetical Diversions, IV. Virtus Redivivi, a Panegyrick on Our Late King Charles of Ever Blessed Memory Concluding with A Panegyrick on His Sacred Majesties Most Happy Return. London: Printed by R. and W. Leybourn, for Thomas Basset, 1661.
MLA (9th ed.) CitationForde, Thomas. Theatre of Wits: Ancient and Modern Attended with Severall Other Ingenious Pieces from the Same Pen [brace] Viz. I. Faenestra in Pectore, or, A Century of Familiar Letters, II. Loves Labyrinth: A Tragi-comedy, III. Fragmenta Poetica, or, Poetical Diversions, IV. Virtus Redivivi, a Panegyrick on Our Late King Charles of Ever Blessed Memory Concluding with A Panegyrick on His Sacred Majesties Most Happy Return. Printed by R. and W. Leybourn, for Thomas Basset, 1661.