Bill Brandt /

""The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists pro...

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Bibliographic Details
Other Authors: Droth, Martina (Editor, Curator), Messier, Paul (Editor)
Format: Book
Language:English
Published: New Haven : Yale Center for British Art, [2020]
Subjects:
Table of Contents:
  • Sculpture, photography and the printed page / Martina Droth and Paul Messier
  • Photography in four dimensions / Paul Messier and Martina Droth
  • Perspectives of a strange country / Martina Droth
  • Catalogue / introduction essays by Martina Droth
  • Portraits
  • Britain at war
  • Figures underground : Photojournalism in the 1940s and 1950s / Lynda Nead ; Henry Moore in the 1940s / Robert James Sutton ; Exhibiting art in wartime / Nicholas Robbins
  • Afterlives of pictures : Photography at Marlborough Gallery / Audrey Sands
  • Coal and Country : A strange country: Bill Brandt in Jarrow, 1937 / John Tagg
  • Monoliths and landscapes : Sculpture and spatial environment / Alex Potts ; Henry Moore's and Bill Brandt's landscapes / Simon Wallis
  • Perspectives of sculpture : Henry Moore and photography / Sebastiano Barassi
  • The body refracted : Bill Brandt's haptic eye: perspective of nudes / Carol M. Armstrong ; Henry Moore's photo-collages / Eleanor Clayton.