Bill Brandt /
""The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists pro...
| Other Authors: | , |
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| Format: | Book |
| Language: | English |
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New Haven :
Yale Center for British Art,
[2020]
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Table of Contents:
- Sculpture, photography and the printed page / Martina Droth and Paul Messier
- Photography in four dimensions / Paul Messier and Martina Droth
- Perspectives of a strange country / Martina Droth
- Catalogue / introduction essays by Martina Droth
- Portraits
- Britain at war
- Figures underground : Photojournalism in the 1940s and 1950s / Lynda Nead ; Henry Moore in the 1940s / Robert James Sutton ; Exhibiting art in wartime / Nicholas Robbins
- Afterlives of pictures : Photography at Marlborough Gallery / Audrey Sands
- Coal and Country : A strange country: Bill Brandt in Jarrow, 1937 / John Tagg
- Monoliths and landscapes : Sculpture and spatial environment / Alex Potts ; Henry Moore's and Bill Brandt's landscapes / Simon Wallis
- Perspectives of sculpture : Henry Moore and photography / Sebastiano Barassi
- The body refracted : Bill Brandt's haptic eye: perspective of nudes / Carol M. Armstrong ; Henry Moore's photo-collages / Eleanor Clayton.