The Oxford handbook of musical theatre screen adaptations /

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around 30 years of development, with The Wizard of Oz, Meet Me in St Louis, Singi...

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Bibliographic Details
Other Authors: McHugh, Dominic (Editor)
Format: eBook
Language:English
Published: New York : Oxford University Press, 2019.
Series:Oxford handbooks online.
Subjects:
Online Access:Connect to the full text of this electronic book
Table of Contents:
  • The Shifting Sands of Orientalism: The Desert Song on Stage and Screen / William A. Everett
  • Rescoring Anything Goes in 1930s Hollywood / Allison Robbins
  • "A Humane, Practical and Beautiful Solution": Adaptation and Triangulation in Paint Your Wagon / Megan Woller
  • Adapting Pal Joey: Post-War Anxieties and the Playmate / Julianne Lindberg
  • The Producers and Hairspray: The Hazards and Rewards of Recursive Adaptation / Dean Adams
  • Fidelity vs. Freedom in Miloš Forman's film version of Hair / Andrew Buchman
  • / Ian Sapiro
  • Lost in Translation: The Strange Case of Rodgers and Hammerstein's Carousel / Tim Carter
  • The Fascinating Moment of Godspell: Its Cinematic Adaptation in the Shadow of Jesus Christ Superstar and Leonard Bernstein's Mass / Paul R. Laird
  • Little Shop of Horrors: Breaking the Rules all the Way to the Big (Enormous, 12-inch) Screen / Jonas Westover
  • Li'l Abner from Comic Strip to Hollywood / Jim Lovensheimer
  • The Party's Over: On the Town, Bells are Ringing, and the Problem of Adapting Postwar New York / Martha Shearer
  • / Elizabeth Titrington Craft
  • Into the Woods from Stage to Screen / Mark Eden Horowitz
  • Getting Real: Stage Musical vs. Filmic Realism in Film Adaptations from Camelot to Cabaret / Raymond Knapp
  • Loud, Pretty, Strong, White [Repeat]: The Jeanette MacDonald and Nelson Eddy Operettas at MGM (1935-1942) / Todd Decker
  • Flamboyance, Exuberance, and Schmaltz: Half a Sixpence and the Broadway Adaptation in 1960s Hollywood / Amanda McQueen
  • Carol Burnett and the Ends of Variety: Parody, Nostalgia, and Analysis of the American Musical / Robynn J. Stilwell
  • Brigadoon and its Transition to MGM Musical: Adapting a Stage Show for Star Dancers / Susan Smith
  • Bud Abbott, Lou Costello, and Giacomo Meyerbeer Meet Rio Rita, or, What's In a Name? / John Graziano
  • / Dominic McHugh
  • From Novel to Stage to Screen: Adapting Roberta / Geoffrey Block
  • "Is this the right material, girl?" How Madonna Makes Us Like Eva but Not Necessarily Evita / Richard J. Allen
  • Cole Porter's List Songs on Stage and Screen / Cliff Eisen
  • / Hannah Robbins
  • "An Elegant Legacy": The Aborted Cartoon Adaptation of Finian's Rainbow / Danielle Birkett
  • The Streisand Adaptations / Dominic McHugh.