Playing for keeps : improvisation in the aftermath /
| Corporate Author: | |
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
| Published: |
Durham :
Duke University Press,
2020.
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| Series: | Improvisation, community, and social practice.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Manifesto / Matana Roberts
- The Exhibition of Vandalizim : Improvising Healing, Politics, and Film in South Africa / Stephanie Vos
- The Rigors of Afro/Canarian Jazz : Sounding Peripheral Vision with Severed Tongues / Mark Lomanno
- "Opening Up a Space that Maybe Wouldn't Exist Otherwise" / Holding It Down in the Aftermath / Vijay Iyer, in conversation with Daniel Fischlin and Eric Porter
- Experimental and Improvised Norths : The Sonic Geographies of Tanya Tagaq's Collaborations with Derek Charke and the Kronos Quartet / Kate Galloway
- Nina Simone: CIVIL JAZZ! / Randy DuBurke
- Free Improvised Music in Postwar Beirut : Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory / Rana El Kadi
- Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics / Darci Sprengel
- Improvisation, Grounded Humanity, and Witnessing in Palestine : An Interview with Al Mada's Odeh Turjman and Reem Abdul Hadi-Hadi / Daniel Fischlin
- "Silsulim" (Improvised "Curls") in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics / Moshe Morad
- Three Moments in Ki Ho'alu (Hawaiian Slack Key Guitar) : Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy / Kevin Fellezs
- From Pre-Peace to Post-Conflict : The Ethics of (Non- ) Listening and Cocreation in a Divided Society / Sara Ramshaw and Paul Stapleton.