http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
essays on social dynamics and cinematic horrors
Intro; Contents; Acknowledgments; Introduction; Part I NATIONAL IDENTITY: HAUNTING THE HOMELAND; Chapter One Ringing Home, Missed Calls, and Unbroken Land-Lines; Chapter Two Redefining the Heimat; Chapter Three Korean National Trauma and the Myth of Hypermasculinity in The Wailing (2016); Chapter Four The Witch, the Wolf, and the Monster; Part II MARKET FORCES AND THEIR MONSTERS; Chapter Five Recession Horror; Chapter Six Classism and Horror in the 1970s; Chapter Seven All against All; Chapter Eight Motor City Gothic; Part III IDEOLOGY: YOU JUST HAVE TO BELIEVE
Chapter Nine Gothic Neoliberalism in 1980s British Horror CinemaChapter Ten Infringing on Cycles of Oppression; Chapter Eleven Faith as Confinement; Part IV HISTORY NEVER DIES; Chapter Twelve The Pursuit of Certainty; Chapter Thirteen "Nothing Is What It Seems"; Chapter Fourteen "Tens of Thousands of Men Died Here"; Chapter Fifteen Peril, Imprisonment, and the Power of Place in Jordan Peele's Get Out; Chapter Sixteen The Hovel Condemned; Chapter Seventeen Coming Home to Horror; Chapter Eighteen It Follows and the Uncertainties of the Middle Class
Chapter Nineteen "We're All in Our Private Traps"Index; About the Editors; About the Contributors
edited by Cynthia J. Miller, and A. Bowdoin Van Riper.
Includes bibliographical references and index.