Women at work : rhetorics of gender and labor /
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
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Pittsburgh, Pa. :
University of Pittsburgh Press,
[2019]
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| Series: | Pittsburgh series in composition, literacy, and culture.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Introduction: Working Women in(to) Rhetorical History / Jessica Enoch and David Gold
- Republicanism, Religiosity, and the Rhetoric of Women's Labor Reform in Lowell, Massachusetts, 1830-1850 000 / Amy J. Wan
- From Slave to Seamstress: Elizabeth Keckley's Rhetoric of Emotional Labor / Patty Wilde
- Louisa May Alcott's Work: A New True Working Woman / Nancy Myers
- "Opulent Friendships," Rhetorical Emulation, and Belletristic Instruction at Leache-Wood Seminary / Pamela Van Haitsma
- Resituating Rhetorical Failure: The Case of Nineteenth-Century Metallurgist Carrie Everson / Sarah Hallenbeck
- Professional Proof: Arguing for Women Photographers at the Fin de Siecle / Kristie S. Fleckenstein
- Making Use of the Mundane: The Women's Trade Union League's Fight to Give Working Women a Voice / Marybeth Poder
- Figuring Vice: Sex, Women, and Work in Kate Waller Barrett's Exhibitionist Rhetoric / Heather Brook Adams and Jason Barrett-Fox
- Bodies of Praise: Epideictic Figures in the Independent Woman / Risa Applegarth
- To Labor with Dignity: Alberta Hunter's Respectability and Resistance Rhetoric / Coretta M. Pittman
- Profiting from Rhetorical Domesticity: Fashion Magnate Nell Donnelly Reed's Discursive Seams, 1916-1956 / Jane Greer
- Babe Didrikson Zaharias's Rhetorical Branding: When It's Not Enough to Be the World's Greatest Woman Athlete / Lisa Shaver
- In Rosie's Shadow: World War II Recruitment Rhetoric and Women's Work in Public Memory / Michelle Smith
- "Other Peoples' Kitchens": Invisible Labor and Militant Voice during the Early Cold War / Jennifer Keohane
- Gossard Girls Are Good Girls: Labor Activism at a 1949 Garment Factory Strike / Carly S. Woods and Kristen Lucas.