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|a The Routledge companion to dance studies /
|c edited by Helen Thomas and Stacey Prickett.
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|a Abingdon, Oxon ;
|a New York, NY :
|b Routledge,
|c 2020.
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|c © 2020
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|a 1 online resource.
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|a Routledge theatre and performance companions
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|a Includes bibliographical references and index.
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|a Helen Thomas is professor of Dance Studies at Trinity Laban Conservatoire of Music and Dance, and emeritus professor, University of the Arts. She has published books, edited collections, and articles on the body and dance in culture and society. Currently, she is editor of Dance Research Journal. Stacey Prickett is reader in Dance Studies at the University of Roehampton. Her current research investigates relationships between dance, society, and politics, Her publications include articles in international journals, Embodied Politics: Dance, Protest and Identities (author), Dance in the City; Dance and Politics, and Shifting Corporealities (contributor).
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|a Description based on online resource; title from digital title page (viewed on November 22, 2019).
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|a <P>List of Illustrations Notes on Contributors, Acknowledgements, Introduction: Thematic Structure, Methodological Frames, and Analyses <EM>Helen Thomas and Stacey Prickett</EM><EM> </EM></P><P><STRONG>Part I Dance and Corporeality: Training and Engagement</STRONG> 1. Dancing the Space: Butoh and Body Weather as Training for Ecological Consciousness - <I>Rosemary Candelario 2. </I>The Dancing Body, Power and the Transmission of Collective Memory in Apartheid South Africa - <I>Catherine F. Botha 3. </I>Different Bodies: A Poetic Study of Dance And People with Parkinson's - <I>Sara Houston 4. </I>Resourcing/Searching DanceTechnique and Education: Developing a Praxeological Methodology- <EM>Yvonne Hardt 5. </EM>The Expanding Possibilities of Dance Science -- <I>Emma Redding </I></P><P><STRONG>Part II Dance and Somatics </STRONG> <EM>6.</EM> Performing the Self: Dance, Somatic Practices, and Alexander Technique - <EM>Michael Huxley 7. Moving Kinship</EM>: Between Choreography, Performance and the More-than-Human - <I>Beatrice Allegranti 8. </I>Moving as a Thought Process: The Practice of choreography and Stillness -- <EM>Naomi Lefebvre Sell with Tara Silverthorn and Lucille Teppa </EM>9<EM>. </EM>Moving Mind and Body: Language and Writings of Simon Forti- <I>Hiie Saumaa </I></P><P><STRONG>Part III Dance and Analysis</STRONG> 10. Choreomusicology and Dance Studies: From Beginning to End? - <EM>Stephanie Jordan </EM>11<EM>. </EM>Choreosonic Wearables: Creative Collaborative Practices -- <I>Michèle Danjoux 12. </I>The Anarchive of Contemporary Dance: Toward a Topographic Understanding of Choreography -- <I>Timmy De Laet 13. </I>Cubism, Futurism, and Leonide Massine's Choreography for <EM>Parade</EM> -- <I>Gay Morris 14. </I>Whatever Happened to Dance Criticism? -- <I>Erin Brannigan </I></P><P><STRONG>Part IV Dance, Society and Culture</STRONG> 15. Black Dance: Brooklyn 2017 -- <I>Nadine George-Graves 16. </I>Elroy Josephs and the Hidden<I> </I>History of Black British Dance -- <EM>Ramsay Burt 17. </EM>A Love Song as a Form of Protest- <I>Danielle Goldman 18. </I>Female Dancers on the Variety Stage in Mid-Twentieth-Century Britain -- <I>Larraine Nicholas 19. </I>Selling and Giving Dance -- <I>Susan Leigh Foster </I></P><P><STRONG>Part V Dance and Time </STRONG> 20. Traditional Dance in Urban Settings: 'Snapshots' of Greek Dance Traditions in Athens -- <I>Maria I. Koustouba 21. </I>Black Star, Fetishized Other: Carlos Acosta, Ballet's New Cosmopolitanism, and Desire in the Age of Institutional Diversity -- <I>Lester Tomé 22. </I>Digital Preservation of Dance, Inclusion and Absence -- <I>Sarah Whatley 23. </I>Dance and Copyright: As Time Moves On -- <I>Charlotte Waelde 24. </I>Algorithmic Choreographies: Women Whirling Dervishes and Dance Heritage on YouTube -- <EM>Sheenagh Pietrobruno </EM></P><P><STRONG>Part VI Dance and Scenography</STRONG> 25. Dressing Dance-Dancing Dress: Lived Experience of Dress and its Agency in the Collaborative Process- <I>Jessica Bugg 26. </I>The Scenography of Choreographing the Museum -- <I>Johan Stjernholm 27. </I>Stacking the Spine: Interdisciplinary Reflections from <EM>Backstories -- Becka McFadden 28. </EM>Longing for the Subaltern: Subaltern Historiography as Choreographic Tactic -- <EM>Cynthia Ling Lee </EM></P><P><STRONG>Part VII Dance, Space and Place</STRONG> 29. The Strangeness of Dancing: From <I>The Changing Room </I>to <I>Singularity -- Carol Brown 30. </I>Everyday Life and Urban Marvels: The Curious Aesthetics of <EM>x-times people chair -- Alexandra Kolb 31. </EM>Dance, Theater, and their Post-Medium Condition- <I>Gerald Siegmund 32. </I>Re-Imagining Laban: Tradition, Extinction, Invention. Re-Staging as Creative Contemporary Practice -- <I>Alison Curtis-Jones 33. </I>"Dancing through the hard stuff": Repetition, Resilience and Female Solidarity in the Landscape -- Rosemary Lee's <I>Passage for Par -- </I><I>Rosemary Lee and Ruth Pethybridge </I></P><P>Index</P>
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|a Electronic resource.
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|a Dance.
|0 http://id.loc.gov/authorities/subjects/sh85035659
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|a Thomas, Helen,
|d 1947-
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|0 http://id.loc.gov/authorities/names/n94093085
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| 700 |
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|a Prickett, Stacey,
|e editor.
|0 http://id.loc.gov/authorities/names/n97848484
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| 710 |
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|a Taylor & Francis.
|0 http://id.loc.gov/authorities/names/n84073022
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| 830 |
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|a Routledge theatre and performance companions.
|0 http://id.loc.gov/authorities/names/no2018079041
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|a Texas A&M University
|b College Station
|c Electronic Resources
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|e GV1589 .R68 2020
|h Library of Congress classification
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| 998 |
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