Filmed thought : cinema as reflective form /

Bibliographic Details
Main Author:	Pippin, Robert B., 1948- (Author)
Corporate Author:	ProQuest (Firm)
Format:	eBook
Language:	English
Published:	Chicago : The University of Chicago Press, 2020.
Subjects:	Motion pictures > United States > History and criticism. Motion pictures > Aesthetics. Electronic books.
Online Access:	Connect to the full text of this electronic book

Table of Contents:

Intro
Contents
Section I. Cinema as Reflective Form
1. Cinematic Reflection
2. Cinematic Self-Consciousness in Alfred Hitchcock's Rear Window
Section II. Moral Variations
3. Devils & Angels in Pedro Almodóvar's Talk to Her
4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt
Section III. Social Pathologies
5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself Be "False"
6. Love & Class in Douglas Sirk's All That Heaven Allows
Section IV. Irony & Mutuality
7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar
8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place
Section V. Agency & Meaning
9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line
10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers
Acknowledgments
Works Cited
Index