rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Exposing slavery
    sub title: photography, human bondage, and the birth of modern visual politics in America
  name:
    name part: Fox-Amato, Matthew
    role:
      role term: creator
    role:
      role term: author.
  type of resource: text
  genre: bibliography
  origin info:
    place:
      place term: nyu
    date issued: 2019
    copyright date: 2019
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: print
    extent: xii, 343 pages : illustrations ; 25 cm.
  abstract: Within a few years of the invention of the first commercially successful photography process in 1839, American slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass also came to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype saloons of their own volition, posing for cameras and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, photography powerfully influenced how bondage and freedom were documented, imagined and contested. This book explores how photography altered, and was in turn shaped by, conflicts over bondage. Drawing upon an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves and abolitionists as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, slaves to shape their social ties, abolitionists to strengthen their movement and soldiers to imagine and pictorially enact an interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool. While this project sheds new light on conflicts over late American slavery, it also reveals a key moment in the much broader historical relationship between modern visual culture and racialized forms of power and resistance.
  table of contents: Policing personhood -- Enduring images -- Realizing abolition -- Domesticating freedom -- The photographic legacy of American slavery.
  note: Matthew Fox-Amato.
  note: Includes bibliographical references and index.
  subject:
    geographic code: n-us---
  subject:
    topic: Slaves
    geographic: United States
    topic: Social conditions
    temporal: 19th century
  subject:
    topic: Slaves
    geographic: United States
    topic: Portraits
  subject:
    topic: Portrait photography
    geographic: United States
    topic: History
    temporal: 19th century
  subject:
    topic: Photography
    topic: Social aspects
    geographic: United States
    topic: History
    temporal: 19th century
  classification: E449 .F768 2019
  classification: 306.3/6200222
  identifier: 9780190663933
  identifier: 0190663936
  identifier: 2018024380
  record info:
    record content source: DLC
    record creation date: 180822
    record change date: 20190718163526.0
    record identifier: in00004074414