http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
viii, 370 pages : illustrations ; 24 cm.
Part 1. The code and the censors: Origin of the code -- Censors at work -- Part II. The British years (1922-1939): The British Board of Film Censors -- The British Gaumont thrillers -- Part III. The Selznick years (1940-1947): Hitchcock and Selznick -- Rebecca (1940) -- Foreign correspondent (1940) -- Mr. and Mrs. Smith (1941) -- Suspicion (1941) -- Saboteur (1942) -- Shadow of a doubt (1943) -- Lifeboat (1944) -- Spellbound (1945) -- Notorious (1946) -- The Paradine case (1947) -- Part IV. The Transatlantic years (1948-1949): Hitchcock and Transatlantic -- Rope (1948) -- Under Capricorn (1949) -- Part V. The Warner's years (1950-1954): Hitchcock and Warner Bros -- Stage fright (1950) -- Strangers on a train (1951) -- I confess (1953) -- Dial M for murder (1954) -- Part VI. The glory years (1954-1968): Hitchcock in ascendance -- Rear window (1954) -- To catch a thief (1955) -- The trouble with Harry (1955) -- The man who knew too much (1956) -- The wrong man (1956) -- Vertigo (1958) -- North by Northwest (1959) -- Psycho (1960) -- The birds (1963) -- Marnie (1964) -- Torn curtain (1966) -- Part VII. The television years (1955-1965): Television censorship -- Alfred Hitchcock presents -- Part VIII. The post-code years (1968-1980): The decline of the code -- The rise of the rating system -- Topaz (1969) -- Frenzy (1972) -- Family plot (1976) -- Conclusion.
Includes bibliographical references and index.