rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Cultural production and the politics of women's work in American literature and film
  title info:
    title: Producing modern girls
  name:
    name part: Kroik, Polina
    role:
      role term: creator
    role:
      role term: author.
  type of resource: text
  genre: bibliography
  origin info:
    place:
      place term: enk
    date issued: 2019
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: print
    extent: vi, 198 pages ; 24 cm.
  abstract: Cultural Production and the Politics of Women's Work in American Literature and Film emphasizes the interrelation between women's workplace roles, modes of authorship and processes of subject-formation, pointing to some of the reasons for the persistence of limiting gender roles and occupational hierarchies that arose during the first sixty years of the 20th century. The book interrogates three common narratives, the rise of Fordism as a "masculine" mode of production and the transition to an era of "feminized" work, women's liberation through the sexual revolutions and the rise of a new form of literary authorship. Conversely, it suggests that women's labor was integral to the operations of the Fordist business sphere, where, unlike at the factory, the white-collar office proletarian work was casualized and feminized. This book argues that this workplace was an important site of subject formation, affirming dominant ideologies through economic practices. Analyzing work by Sinclair Lewis, Nella Larsen, Anita Loos and Sylvia Plath, the book presents an alternative history of American Modernism, one that is more attuned to gendered discourses of labor and class. By looking at the micropolitics of power within cultural institutions this study moves beyond the dichotomies of exclusion/inclusion to interrogate the terms on which women and minorities worked as producers, and the ideas and experiences that consequently entered the field of intelligibility.
  table of contents: Mixing business with pleasure : the "business girl" and the rise of Fordism in Sinclair Lewis's The job (1917) and Winston Churchill's The dwelling-place of light -- Flappers and professionals : the cultural politics of Edith Wharton's later fiction -- "Beggars in velvet gowns" : the politics of class, race, and gender in Nella Larsen's fiction -- "A girl can't go on laughing all the time" : Anita Loos and the Hollywood studio system -- "I guess you could say I've a call" : work, gender, and class in Sylvia Plath's fiction and poetry -- Conclusion. The neoliberal office, postfeminism in Mad men, and the rise of the gig economy.
  note: Polina Kroik.
  note: Revision of author's thesis (doctoral)--University of California, Irvine, 2011, titled Producing modern girls : gender and work in American literature and film, 1910-1960.
  note: Includes bibliographical references and index.
  subject:
    geographic code: n-us---
  subject:
    topic: Working class women in literature
  subject:
    topic: Working women in motion pictures
  subject:
    topic: American literature
    topic: History and criticism
  subject:
    topic: Motion pictures, American
    topic: History and criticism
  classification: PS173.W6 K76 2019
  classification: 810.9/3522
  identifier: 9781138327269
  identifier: 1138327263
  identifier: 9780429449345
  identifier: 9780429830396 (ePub ebook)
  identifier: 9780429830402 (PDF ebook)
  identifier: 9780429830389 (Mobipocket ebook)
  identifier: 2018044926
  record info:
    record content source: DLC
    record creation date: 181216
    record change date: 20191021074630.0
    record identifier: in00004073432