Gothic sculpture /
In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such pl...
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| Format: | Book |
| Language: | English |
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New Haven, Connecticut :
Published for the Paul Mellon Centre for Studies in British Art by Yale University Press,
[2019]
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| Summary: | In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice and have a "poetic." Exploring the imagery of growth, change and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts. |
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| Physical Description: | vii, 287 pages : chiefly color illustrations, map ; 27 cm. |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 0300241437 9780300241433 |