The Routledge dance studies reader /
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| Other Authors: | , |
| Format: | eBook |
| Language: | English |
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Abingdon, Oxon ; New York, NY :
Routledge,
2019.
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| Edition: | Third edition. |
| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of Contributors; Acknowledgments; 1 Introduction; Passinho: an introduction; FRE!HEIT: an introduction; Texting: an introduction; Dance studies: an introduction; Structuring dance studies; Part I: Methods and approaches; Part II: Practice and performance; Part III: Dance as embodied ideology; Part IV: Dance on the market and in the media; Part V: formations of the field; Concluding remarks; Notes; Part I Methods and Approaches; 2 Dance history source materials; 3 Shifting perspectives on dance ethnography
- 4 Dance studies/cultural studiesIntroduction; Dance and interdisciplinarity; Early cultural studies as intervention; Cultural studies in the United States; Cultural studies in crisis; Dance studies/cultural studies; Notes; 5 Dance and gender: formalism and semiotics reconsidered; 6 An introduction to dance analysis; 7 At home in the world? The bharatanatyam dancer as transnational interpreter; Orientalism and globality; Tactics of globality: alternatives to orientalism; Notes; 8 Differentiating phenomenology and dance; 9 Epilogue to an epilogue: historicizing the re- in dance reenactment
- The situation of the 1980sBeyond impersonation: the baroque as anti-modern; Difference/distance; Translation and history; Space, place, and contiguity; The question of "there" and the production of distance; The fugitive oscillation; Notes; Part II Practice and performance; 10 Grasping practice: reflections on practices of knowing and researching in dance education; Observation I: constellations of teaching; Grasping practice: field and methodological perspective; Practice-as-Research and field of knowledge; (Re)Working knowledge-or teaching with a (natural) science understanding of knowledge
- Notes11 I am a dancer; 12 Reworking the ballet: stillness and queerness in Swan Lake, 4 Acts; 13 Getting off the Orient Express; 14 Hips, hip-notism, hip(g)nosis: the mulata performances of Ninón Sevilla; 15 Cabbages and kings: disability, dance, and some timely considerations; 16 Improvised dance in the reconstruction of THEM; Introduction; Ishmael Houston-Jones: the politics of dancing; "For some reason it still matters"; "I wish I had taken a photo/I could rip it up"; Notes; 17 Staging choreomusical research: : A case study of the historiography of experimental...
- Choreomusical research "Through the Body, Through Space"Body memory and embodied music cognition in (and through) dance; Notes; 18 Working out contemporaneity: dance and post-Fordism; Two images of movement; The dance and the walk: two politics of dance; Exploitation of movement; Note; Part III Dance as embodied ideology; 19 In pursuit of the sylph: ballet in the Romantic period; 20 Nijinsky: modernism and heterodox representations of masculinity; 21 From interculturalism to historicism: reflections on classical Indian dance (2000/1)