| Tag |
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Second Indicator |
Subfields |
| LEADER |
00000cam a2200000Ii 4500 |
| 001 |
in00004058905 |
| 005 |
20190718163017.0 |
| 008 |
180209t20182018gw a bc 000 0deng d |
| 020 |
|
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|a 9783775742931
|q (hbk.)
|
| 020 |
|
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|a 377574293X
|q (hbk.)
|
| 035 |
|
|
|a (OCoLC)on1023398023
|
| 040 |
|
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|a ERASA
|e rda
|c ERASA
|d BDX
|d YDX
|d UAB
|d FNE
|d UtOrBLW
|
| 041 |
1 |
|
|a eng
|h ger
|
| 049 |
|
|
|a TXAM
|
| 050 |
|
4 |
|a ND497.C74
|b A4 2018
|
| 082 |
0 |
|
|a 700.411
|
| 245 |
0 |
0 |
|a Keith Coventry /
|c introduction, Norman Rosenthal ; main texts, Michael Bracewell, Diedrich Diederichsen ; additional texts, Nick Zangwill, Iwona Blazwick, Andrew Hibbard.
|
| 264 |
|
1 |
|a Berlin :
|b Hatje Cantz Verlag,
|c [2018]
|
| 264 |
|
4 |
|c ©2018
|
| 300 |
|
|
|a 254 pages :
|b illustrations (some color) ;
|c 32 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 336 |
|
|
|a still image
|b sti
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 546 |
|
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|a Diederichson essay translated from the German.
|
| 500 |
|
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|a At foot of title: Pace.
|
| 504 |
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|a Includes bibliographical references (page 253).
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| 520 |
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|a With this publication, Keith Coventry presents an overview of his oeuvre from its beginnings in the early 1990s to the present day, shedding light on his exploration of the legacy of modernism and post-modernism. In his series 'Junk Paintings' (2012), for example, a new visual vocabulary containing elements of the famous McDonald's logo shifts into focus, blending with Minimalism and Pop Art. In the white 'Pure Junk Paintings' (2015/16) he continues his work with these formal elements, but using new materials, wood, muslin, beeswax, glass and gesso lend the paintings a sculptural presence. The same is true of the series 'Golden Arches' (2016), for which parts of the McDonald's logo were cast in bronze and heavily gold plated, contrasting a cheap, mass produced commodity with materials representing permanence, craft, and value. In Coventry's art, the consumer world and mass production encounter an aesthetic characterized by beauty and timelessness.
|
| 600 |
1 |
0 |
|a Coventry, Keith,
|d 1958-
|0 http://id.loc.gov/authorities/names/nr99035873
|
| 600 |
1 |
0 |
|a Coventry, Keith,
|d 1958-
|x Criticism and interpretation.
|
| 650 |
|
0 |
|a Painting, British
|y 20th century.
|
| 650 |
|
0 |
|a Painting, British
|y 21st century.
|
| 700 |
1 |
|
|a Diederichsen, Diedrich,
|e author.
|0 http://id.loc.gov/authorities/names/n83146487
|
| 700 |
1 |
|
|a Bracewell, Michael,
|d 1958-
|e author.
|0 http://id.loc.gov/authorities/names/n88177304
|
| 700 |
1 |
2 |
|a Coventry, Keith,
|d 1958-
|t Works.
|k Selections.
|
| 710 |
2 |
|
|a Pace London (Gallery),
|e associated with work.
|0 http://id.loc.gov/authorities/names/no2012156419
|
| 948 |
|
|
|a cataloged
|b h
|c 2019/4/15
|d c
|e dmitchel
|f 11:44:28 am
|
| 945 |
|
|
|b 980009
|
| 947 |
|
|
|a A14850742405
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
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|s 7cbe357b-f295-3b21-9e91-f1f56e58bcc9
|i 3a9bc22f-c1e8-365b-ab1f-2bc8d388deb9
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e ND497.C74 A4 2018
|f Oversize
|h Library of Congress classification
|i unmediated -- volume
|m A14850742405
|
| 998 |
f |
f |
|a ND497.C74 A4 2018
|t 0
|l Evans: Library Stacks
|