rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: African American cinema through Black lives consciousness
  name:
    name part: Reid, Mark (Mark A.)
    role:
      role term: editor.
  type of resource: text
  genre: bibliography
  origin info:
    place:
      place term: miu
    date issued: 2019
    copyright date: 2019
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: print
    extent: x, 310 pages : illustrations ; 24 cm.
  abstract: African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into beingness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.
  table of contents: I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films.
  note: edited by Mark A. Reid.
  note: Includes bibliographical references and index.
  subject:
    topic: African Americans in motion pictures
  classification: PN1995.9.N4 A37 2019
  classification: 791.43/652996073
  identifier: 0814345492
  identifier: 9780814345498
  identifier: 9780814345481
  identifier: 0814345484
  record info:
    record content source: YDX
    record creation date: 180306
    record change date: 20190422105425.0
    record identifier: in00004054375