Spectatorship and film theory : the wayward spectator /

This book interrogates the relation between film spectatorship and film theory in order to criticize some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinc...

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Bibliographic Details
Main Author: Comanducci, Carlo (Author)
Format: Book
Language:English
Published: New York : Palgrave Macmillan, [2018]
Subjects:
Description
Summary:This book interrogates the relation between film spectatorship and film theory in order to criticize some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator's gaze. Combining Jacques Rancière's emancipated spectator with Judith's queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions, a wayward history of encounters.
Physical Description:vii, 208 pages ; 22 cm.
Bibliography:Includes bibliographical references and index.
ISBN:3319967428
9783319967424