| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
in00004030321 |
| 005 |
20190103115421.0 |
| 008 |
180523s2019 enk e b 001 0 eng |
| 010 |
|
|
|a 2018020365
|
| 035 |
|
|
|a (OCoLC)on1023607045
|
| 040 |
|
|
|a DLC
|e rda
|c DLC
|
| 020 |
|
|
|a 9781350071933
|q (paperback)
|
| 020 |
|
|
|a 1350071935
|q (paperback)
|
| 020 |
|
|
|z 9781350071957 (epdf)
|
| 043 |
|
|
|a n-us-ny
|
| 050 |
0 |
0 |
|a PN2277.N5
|b J66 2019
|
| 082 |
0 |
0 |
|a 792.09747/1
|2 23
|
| 049 |
|
|
|a TXAM
|
| 100 |
1 |
|
|a Jones, Chris,
|d 1963-
|e author.
|
| 245 |
1 |
0 |
|a Rise up! :
|b Broadway and American society from Angels in America to Hamilton /
|c Chris Jones.
|
| 264 |
|
1 |
|a London ;
|a New York :
|b Methuen Drama,
|c 2019.
|
| 300 |
|
|
|a vi, 226 pages ;
|c 20 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a 2016: Prologue -- 1993: An Angel lands -- 1994: The emergent power of the solo voice -- 1996: Fighting urban gentrification and paying Rent -- 1997: The Lion King roars and the family returns to Broadway -- 1999: A short-order cook with a long path to Broadway -- 2001: Grief, metamorphoses, and transformation -- 2002: The pull of Las Vega and the rise of meta -- 2002: Edward Albee, the love of a goat, and the death of off-Broadway -- 2007: A recession thwarted by an ironic blast from Chicago -- 2010: A boulevard of broken dream dreams, awakened -- 2010: Bloody bloody wiki wiki self-awareness -- 2011: Unlucky : Spider-man and the great Broadway overreach -- 2014: A dream, no longer deferred -- 2016: Love is love is love is love is love is love is love is love.
|
| 520 |
|
|
|a Penned by one of America's best-known daily theater critics and organized chronologically, this lively and readable book tells the story of Broadway's renaissance from the darkest days of the AIDS crisis, via the disaster that was Spiderman: Turn off the Dark through the unparalleled financial, artistic and political success of Lin-Manuel Miranda's Hamilton. It is the story of the embrace of risk and substance. In so doing, Chris Jones makes the point that the theater thrived by finally figuring out how to embrace the bold statement and insert itself into the national conversation, only to find out in 2016 that a hefty sector of the American public had not been listening to what it had to say. Chris Jones was in the theaters when and where it mattered. He takes readers from the moment when Tony Kushner's angel crashed (quite literally) through the ceiling of prejudice and religious intolerance to the triumph of Hamilton, with the coda of the Broadway cast addressing a new Republican vice-president from the stage. That complex performance, at once indicative of the theater's new clout and its inability to fully change American society for the better, is the final scene of the book.
|
| 650 |
|
0 |
|a Theater
|z New York (State)
|z New York
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Theater
|z New York (State)
|z New York
|x History
|y 21st century.
|
| 650 |
|
0 |
|a Theater and society
|z United States
|x History
|y 20th century.
|
| 650 |
|
0 |
|a Theater and society
|z United States
|x History
|y 21st century.
|
| 651 |
|
0 |
|a Broadway (New York, N.Y.)
|x History
|y 20th century.
|
| 651 |
|
0 |
|a Broadway (New York, N.Y.)
|x History
|y 21st century.
|
| 945 |
|
|
|b 826304
|
| 947 |
|
|
|a A14850557043
|
| 948 |
|
|
|a cataloged
|b h
|c 2019/1/3
|d c
|e dmitchel
|f 11:20:10 am
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
f |
f |
|s b8786b24-65d2-3c76-9746-26e6fd2fa241
|i f5fabb68-daf8-3a13-95f2-ccacfb93b8df
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e PN2277.N5 J66 2019
|h Library of Congress classification
|i unmediated -- volume
|m A14850557043
|
| 998 |
f |
f |
|a PN2277.N5 J66 2019
|t 0
|l Evans: Library Stacks
|