Borrowed forms the music and ethics of transnational fiction Lachman, Kathryn creator author. JSTOR (Organization) text bibliography Criticism, interpretation, etc. Electronic books. enk 2014 monographic eng remote 1 online resource (viii, 206 pages .) A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations. From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg -- Opera and the limits of representation in J.M. Coetzee's Disgrace. Kathryn Lachman. Includes bibliographical references and index. Fiction 20th century History and criticism Music in literature Music and literature Transnationalism in literature Literature and transnationalism Music and transnationalism BIOGRAPHY & AUTOBIOGRAPHY Literary Literary studies: post-colonial literature Fiction Literature and transnationalism Music and literature Music and transnationalism Music in literature Transnationalism in literature Roman Transnationalisierung Erzähltechnik Musik 1900-1999 fast Music PN3352.M89 L33 2014 809/.9335780904 9781781387290 178138729X 9781781385968 1781385963 9781781380307 1781380309 22573/ctt18kvv98 JSTOR http://proxy.library.tamu.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctt18mbcbq YDXCP 150212 20260728172653.2 in00004013868 eng