Intermedial Performance and Politics in the Public Sphere /
| Corporate Author: | |
|---|---|
| Other Authors: | , , |
| Format: | eBook |
| Language: | English |
| Published: |
Cham, Switzerland :
Palgrave Macmillan,
[2018]
|
| Series: | Avant-gardes in performance.
|
| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Intro; Acknowledgments; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction: In and Out: Intermedial Practices in the New Public Sphere; Trouble in the Public Sphere; Art and/as Politics; Intermediality as a Political Practice; References; Chapter 2: Intermedial Theatre in a Mediatized Culture and Society; Free Access to All Citizens; Free From Power or Propaganda; Matters of General Interest; Epilogue; References; Chapter 3: Intermedial Performance as a Public Sphere; Private, Public, and Mediatized; Intermedial Performance as a Public Sphere; No Man's Land
- A Wider Performance ContextReferences; Chapter 4: Mirrors of Public Space: An Interview with Dries Verhoeven; Berlin-Utrecht: A Skype Session on Tree Houses; Durational Strategies, Visual Art, and the Urban Continuum; The Ambiguity of a Badge: No Man's Land in Athens; Schizophrenia in Prudish Public Spaces; Intermedial Encounters; Social Media: A Trojan Horse?; Epilogue: August 18, 2017; Chapter 5: Democracy with a Toothbrush: Protest, Performance, and the Public Sphere; Protest Performance and the Public Sphere; Ponta Politics: Protesting for Democracy; References
- Chapter 6: Refugee Theatre in the (Inter)medial Matrix: Die Schutzbefohlenen and the Limits of Theatre as Public SphereA Postdramatic Palimpsest and the Failure of Art; Intermediality and Mediation; Refugee Theatre-A New Genre?; Patrolling the Borders of Theatre; Epilogue; References; Chapter 7: 'Heterotopian Transformations': An Interview with Akira Takayama; Heterotopia as a Frame; Making Theatre as a Street, as an Open Community; What is the Real Public Space of Today?; Practice in Heterotopia; References; Chapter 8: Troubled Feedback Loop: The Rise and Fall of Estonia by Theatre NO99
- Public, Private, and Political Spheres MergedLooking at the Traumatic History; Personal and Political Merged; Conclusions; References; Chapter 9: Between Art, Society, Representation, and Subjectivity: Wojtek Ziemilski's Prolog; The Media Problem; Wojtek Ziemilski: A Non-Director; Prologue; Interfaces and Social Choreography; References; Chapter 10: 'The Intimacy of Public Space': An Interview with Kris Verdonck; Reconfiguring the Inside and Outside; The Politics of Intimate Media; References
- Chapter 11: Empire Strikes Back: The 2014 Maidan Revolution in Ukraine, Postmodern Spectatorship, and the Battle of Perception in the Public SphereEuromaidan as Drama; Monstration: The Uprising as Mediated Spectacle; The Deployment of 'Political Technology'; The Aftermath of the Politics of Passion; References; Chapter 12: The Politics of the Digital Public Sphere: On Rabih Mroué's The Pixelated Revolution; Documents as Critical Tools; The Mediatized Public Sphere; Digital Disruptions; The Civil Context of the Media; Redefining Critical Art; The Politics of Images; References