Affectual erasure : representations of indigenous peoples in Argentine cinema /

Bibliographic Details
Main Author:	Tompkins, Cynthia, 1958- (Author)
Format:	Book
Language:	English
Published:	Albany : State University of New York Press, [2018]
Series:	SUNY series in Latin American cinema.
Subjects:	Indigenous peoples in motion pictures. Motion pictures > Argentina > History.

Table of Contents:

Introduction
Early cinema 1896-1932. Melodrama and avant-la-lettre documentary in Alcides Greca's El último malón (the last "Indian" raid, 1917)
Kitsch and exoticism in Nelo Cosimi's La quena de la muerte (Death kena, 1929)
Classical cinema 1933-1956. Femme fatale in Luis Belisario García Villar's Frontera sur (Southern border,1943)
Betrayal and insanity in Lucas Demare's El último perro (The last one standing, 1956)
Modernity and auteur cinema 1957-1983. The shifting meanings of translation in Lautaro Murúa's Shunko (1960)
Transculturation in Jorge Prelorán's Hermógenes cayo (1967)
Cinema in democracy 1983-93. Fatal kindness in Raúl Tosso's Gerónima (1986)
Bewitched mirror images in Edgardo Cozarinsky's Guerreros y cautivas (Warriors and captives, 1989)
Contemporary period: 1993-2017. The power of the word in Philip Cox and Valeria Mapelman Mbyá: Tierra en rojo (We are the Indians, 2005)
State terrorism in Valeria Mapelman's Octubre pilagá (Pilaga October, 2010)
Life as a specimen: Alejandro Fernández Mouján's Damiana kryygi (2015)
Clashing ideologies, denunciation, and reparation in Ulise de la Orden's Tierra adentro (inland, 2011)
Silence and isolation in Mathieu Orcel's Para los pobres piedras (Stones for the poor, 2013)
Immersion and metamorphosis in Inés de Oliveira Cézar Cassandra (2012)
The power of constelations in Sebastián Lingiardi's Las pistas-Lanhoyij-Nmitaxanaxac (Clues-Lanhoyij- Nmitaxanaxac, 2010)
Conclusion
Appendix: political map of Agentina.