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00000cam a2200000 i 4500 |
| 001 |
in00003998021 |
| 005 |
20181023092701.0 |
| 008 |
170424t20182018nyua b 001 0 eng |
| 010 |
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|a 2017019921
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| 020 |
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|a 9780190632991
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| 020 |
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|a 0190632992
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| 035 |
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|a (OCoLC)ocn984898609
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| 040 |
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|a DLC
|e rda
|c DLC
|d UtOrBLW
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| 043 |
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|a n-us---
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| 049 |
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|a TXAM
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| 050 |
0 |
0 |
|a ML3477
|b .S73 2018
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| 082 |
0 |
0 |
|a 781.640973
|2 23
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| 100 |
1 |
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|a Starr, Larry,
|e author.
|0 http://id.loc.gov/authorities/names/n91051114
|
| 245 |
1 |
0 |
|a American popular music :
|b from minstrelsy to MP3 /
|c Larry Starr, Christopher Waterman.
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| 250 |
|
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|a Fifth edition.
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| 264 |
|
1 |
|a New York ;
|a Oxford :
|b Oxford University Press,
|c [2018]
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| 264 |
|
4 |
|c ©2018
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| 300 |
|
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|a xxi, 641 pages :
|b illustrations ;
|c 24 cm.
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| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 611-613) and index.
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| 505 |
0 |
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|a Timeline: 1760s-1899 --
|t Theme One: Listening --
|t Theme Two: Music and Identity (Individuality, Gender, and Race) --
|t Theme Three: Music and Technology --
|t Theme Four: The Music Business --
|t Theme Five: Centers and Peripheries --
|t Streams of Tradition: The Sources of Popular Music --
|t The Minstrel Show --
|t An Early Pop Songwriter: Stephen Foster --
|t Dance Music and Brass Bands --
|t The Birth of Tin Pan Alley --
|t The Ragtime Craze, 1896-1918 --
|t The Rise of the Phonograph --
|t Timeline: 1900-1945 --
|t Technology and the Music Business --
|t "Freak Dances": Turkey Trot and Tango --
|t James Reese Europe and the Castles --
|t Jazz as Popular Music: The Original Dixieland Jazz Band, the Creole Jazz Band, and Louis Armstrong --
|t Dance Music in the "Jazz Age" --
|t The Rise of Latin Dance Music: "El Manicero" --
|t Tin Pan Alley Song Form --
|t What Were Tin Pan Alley Songs About? --
|t What Makes a Song a "Standard"? --
|t Tin Pan Alley and Broadway --
|t Race Records --
|t Classic Blues --
|t Understanding Twelve-Bar Blues --
|t The Country Blues --
|t Blind Lemon Jefferson: The First Country Blues Star --
|t Robert Johnson: Standing at the Crossroad --
|t Early Country Music: Hillbilly Records --
|t Pioneers of Country Music: The Carter Family and Jimmie Rodgers --
|t Popular Music and the Great Depression --
|t Swing Music and American Culture --
|t Benny Goodman: "The King of Swing" --
|t Duke Ellington in the Swing Era --
|t Kansas City Swing: Count Basie --
|t Superstar of Swing: Glenn Miller --
|t Jazz Singers: The Boswell Sisters, Billie Holiday, and Ella Fitzgerald --
|t Vocal Harmony Groups --
|t Country Music in the Swing Era: Roy Acuff, Singing Cowboys, and Western Swing --
|t Latin Music in the Swing Era --
|t ASCAP, the AFM, and the Decline of the Big Bands --
|t Timeline: 1946-1979 --
|t Popular Music and Technology in the Postwar Era --
|t The Rise of the Star Singers --
|t Urban Folk Music: The Weavers --
|t The Mambo Craze (1949-1955) --
|t Southern Music in the Postwar Era --
|t Rhythm & Blues --
|t Vocal Harmony Groups --
|t R&B Women: Ruth Brown and Big Mama Thornton --
|t Country and Western Music --
|t The Birth of Rock 'n' Roll --
|t Cover Versions and Early Rock 'n' Roll --
|t The Rock 'n' Roll Business --
|t Early Rock 'n' Roll Stars on the R&B Side --
|t Early Rock 'n' Roll Stars on the Country Side --
|t Wild, Wild Young Women: Female Rock 'n' Roll Pioneers --
|t The Latin Side of Rock 'n' Roll --
|t Songwriters and Producers of Early Rock 'n' Roll --
|t Other Currents: The Standard and Folk Music in the Rock 'n' Roll Era --
|t The Early 1960s: Dance Music and "Teenage Symphonies" --
|t Berry Gordy and Motown --
|t Brian Wilson and the Beach Boys --
|t The Beatles, the British Invasion, and the American Response --
|t Meanwhile, Back in California --
|t Latin Sounds in 1960s Pop: A Tall Man, a Tanned Girl, and a Taste of Honey --
|t Patsy Cline and the Nashville Sound --
|t Ray Charles and Soul Music --
|t Sam Cooke, the "King of Soul" --
|t James Brown and Aretha Franklin --
|t The Broadway Musical in the Age of Rock --
|t Urban Folk Music in the 1960s: Bob Dylan --
|t The Counterculture and Psychedelic Rock --
|t Sgt. Pepper's Lonely Hearts Club Band --
|t Their Satanic Majesties: The Rolling Stones After Sgt. Pepper --
|t San Francisco Rock: Jefferson Airplane, Janis Joplin, and the Grateful Dead --
|t The Doors and "Light My Fire" --
|t Guitar Heroes: Jimi Hendrix and Eric Clapton --
|t Singer-Songwriters: Carole King, Joni Mitchell, James Taylor --
|t Country Music and the Pop Mainstream --
|t Rock Comes of Age --
|t "Night Fever": The Rise of Disco --
|t The Outlaws: Progressive Country Music --
|t "I Shot the Sheriff": The Rise of Reggae --
|t The Rise of Salsa Music --
|t "Psycho Killer": 1970s Punk and New Wave --
|t "Tear the Roof off the Sucker": Funk Music --
|t "Rapper's Delight": The Origins of Hip-Hop --
|t Timeline: 1980-Today --
|t Digital Technology and Popular Music --
|t The Pop Mainstream of the 1980s: Some Representative Hits --
|t A Tale of Three Albums --
|t "Baby I'm a Star": Prince, Madonna, and the Production of Celebrity --
|t Hip-Hop Breaks Out (1980s-1990s) --
|t Commercialization, Diversification, and the Rise of Gangsta Rap (1990s) --
|t Techno: Dance Music in the Digital Age --
|t Alternate Currents --
|t Women's Voices: Alternative Folk, Hip-Hop, and Country --
|t Modern Sounds in Country and Western Music: Approaches to Tradition --
|t Latina Superstars of the 1990s: Gloria Estefan and Selena --
|t Globalization and the Rise of "World Music" --
|t World Music Collaborations: Ali Farka Toure and Nusrat Fateh Ali Khan --
|t The Impact of Digital Recording --
|t Music and the Internet: The Revolution Will Be Streamed --
|t "On the Road Again": The New Popular Music Economy --
|t Rock Music in the 2000s --
|t Hip-Hop in the New Millennium --
|t Hip-Hop Stars of the 2010s --
|t Twenty-First Century Divas: We Never Go Out of Style --
|t Conclusion: American Popular Music in the Age of Globalization.
|
| 650 |
|
0 |
|a Popular music
|z United States
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2008109794
|
| 700 |
1 |
|
|a Waterman, Christopher Alan,
|d 1954-
|e author.
|0 http://id.loc.gov/authorities/names/nr88007537
|
| 945 |
|
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|b 609197
|
| 947 |
|
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|a A14850494809
|
| 948 |
|
|
|a cataloged
|b h
|c 2018/6/25
|d c
|e dmitchel
|f 11:30:20 am
|
| 994 |
|
|
|a 92
|b TXA
|
| 999 |
f |
f |
|s d40df009-0f59-354e-8c35-3f33225b7411
|i 2fa214eb-0279-3a8f-acf1-4f910ba8e0ce
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e ML3477 .S73 2018
|h Library of Congress classification
|i unmediated -- volume
|m A14850494809
|
| 998 |
f |
f |
|a ML3477 .S73 2018
|t 0
|l Evans: Library Stacks
|