The pop palimpsest : intertextuality in recorded popular music /
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| Other Authors: | , , |
| Format: | eBook |
| Language: | English |
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Ann Arbor :
University of Michigan Press,
[2018]
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| Series: | Tracking pop.
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| Subjects: | |
| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Intro; Contents; Foreword: The Intertextual Network
- J. Peter Burkholder; Introduction
- Lori Burns and Serge Lacasse; Section I. Transtextualities; 1. Toward a Model of Transphonography
- Serge Lacasse; 2. Genettean Hypertextuality as Applied to the Music of Genesis: Intertextual and Intratextual Approaches
- Roger Castonguay; Section II. Intertextual Analyses; 3. The Bitter Taste of Praise: Singing â#x80;#x9C;Hallelujahâ#x80;#x9D;
- Allan Moore; 4. The Electric Light Orchestra and the Anxiety of the Beatlesâ#x80;#x99; Influence
- Mark Spicer
- 5. â#x80;#x9C;If Youâ#x80;#x99;re Gonna Have a Hitâ#x80;#x9D;: Intratextual Mixes and Edits of Pop Recordings
- Walter Everett6. Someone and Someone: Dialogic Intertextuality and Neil Young
- William Echard; 7. Intertextuality in the Nineteenth-Century French Vaudeville
- Mary S. Woodside; Section III. Intermedial Subjectivities; 8. Rap Gods and Monsters: Words, Music, and Images in the Hip-Hop Intertexts of Eminem, Jay-Z, and Kanye West
- Lori Burns and Alyssa Woods; 9. Performative Strategies and Musical Markers in the Eurythmicsâ#x80;#x99; â#x80;#x9C;I Need a Manâ#x80;#x9D;
- Stan Hawkins; Section IV. Intertextual Productions
- 10. Timbre as Text: The Cognitive Roots of Intertextuality
- Simon Zagorski-Thomas11. Intertextuality and Lineage in The Gameâ#x80;#x99;s â#x80;#x9C;We Ainâ#x80;#x99;tâ#x80;#x9D; and Kendrick Lamarâ#x80;#x99;s â#x80;#x9C;m.A.A.d. Cityâ#x80;#x9D;
- Justin A. Williams; 12. Mix Tapes, Memory, and Nostalgia: An Introduction to Phonographic Anthologies Serge Lacasse and Andy Bennett; List of Contributors; Index