Poetry in a world of things : aesthetics and empiricism in Renaissance ekphrasis /
We have become used to looking at art from a stance of detachment. In order to be objective, we create a 'mental space' between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers i...
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| Format: | Book |
| Language: | English |
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Chicago :
University of Chicago Press,
[2018]
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| Summary: | We have become used to looking at art from a stance of detachment. In order to be objective, we create a 'mental space' between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as 'things in themselves,' things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance 'discovery' of the observable world. Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on ekphrasis, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. |
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| Physical Description: | ix, 191 pages : illustrations ; 23 cm. |
| Bibliography: | Includes bibliographical references (pages [163]-179) and index. |
| ISBN: | 9780226516585 022651658X 9780226516615 022651661X |