The realism of Piero della Francesca /

The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns and villages. This is the world in which Piero lived. At the same time, Piero's paintings depict a world that is distant. The subjects of his pi...

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Bibliographic Details
Main Author: Keizer, Joost M. (Author)
Format: Book
Language:English
Published: London ; New York : Routledge, [2018]
Series:Visual culture in early modernity.
Subjects:
Description
Summary:The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns and villages. This is the world in which Piero lived. At the same time, Piero's paintings depict a world that is distant. The subjects of his pictures are often Christian and that means that their setting is the Holy Land, a place Piero had never visited. 'The Realism of Piero della Francesca' studies this paradoxical aspect of Piero's art. It tells the story of an artist who could think of the local churches, palaces and landscapes in and around his hometown of Sansepolcro as miraculously built replicas of the monuments of Jerusalem. Piero's application of perspective, to which he devoted a long treatise, was meant to convince his contemporaries that his paintings report on things that Piero actually observed. Piero's methodical way of painting seems to have offered no room for his own fantasy. His art looks deliberately styleless. This book uncovers a world in which painting needed to validate itself by cultivating the illusion that it reported on things observed instead of things imagined by the artist.
Item Description:"An Ashgate book"--Cover.
Physical Description:ix, 145 pages, 8 unnumbered pages of color plates : illustrations (some color) ; 26 cm.
Bibliography:Includes bibliographical references (pages [127]-142) and index.
ISBN:1472461312
9781472461315
9781315553641
1315553643