rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    non sort: The
    title: materiality of color
    sub title: the production, circulation, and application of dyes and pigments, 1400-1800
  name:
    name part: Feeser, Andrea
    role:
      role term: editor.
  name:
    name part: Goggin, Maureen Daly
    role:
      role term: editor.
  name:
    name part: Tobin, Beth Fowkes
    role:
      role term: editor.
  type of resource: text
  genre: bibliography
  origin info:
    place:
      place term: enk
    date issued: 2012
    copyright date: 2012
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: print
    extent: xix, 333 pages : illustrations (some color) ; 25 cm.
  abstract: Although much has been written on the aesthetic value of color, there are other values that adhere to it with economic and social values among them. Through case studies of particular colors and colored objects, this volume demonstrates just how complex the history of color is by focusing on the diverse social and cultural meanings of color, the trouble, pain and suffering behind the production and application of these colors, the difficult technical processes for making and applying color and the intricacy of commercial exchanges and knowledge transfers as commodities and techniques moved from one region to another. By emphasizing color's materiality, the way in which it was produced, exchanged and used by artisans, artists and craftspersons, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat and tears that went into its production, circulation and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts. This book captures color's global history with chapters on indigo plantations in India and the American South, cochineal production in colonial Oaxaca, the taste for brightly colored Chinese objects in Europe and the thriving trade in vermilion between Europeans and Native Americans. To underscore the complexity of the technical knowledge behind color production, there are chapters on the 'discovery' of Prussian blue, Brazilian feather technique and wallpaper production. To sound the depths of color's capacity for social and cultural meaning-making, there are chapters that explore the significance of black ink in Shakespeare's sonnets, red threads in women's needlework samplers, blues in Mayan sacred statuary and greens and yellows in colored glass bracelets that were traded across the Arabian desert in the late Middle Ages.
  table of contents: Color's Social and Cultural Meanings -- Producing and Exchanging Pigments and Dyes -- Making Colored Objects.
  note: edited by Andrea Feeser, Maureen Daly Goggin and Beth Fowkes Tobin.
  note: Includes bibliographical references (pages 281-318) and index.
  subject:
    topic: Dye industry
    topic: History
  subject:
    topic: Pigments industry
    topic: History
  subject:
    topic: Color
    topic: Social aspects
    topic: History
  classification: HD9999.D9 M38 2012
  classification: 338.4/766720903
  related item:
    title info:
      title: Histories of material culture and collecting, 1700-1950
  identifier: 9781409429159
  identifier: 1409429156
  identifier: 2012002949
  record info:
    record content source: DLC
    record creation date: 120126
    record change date: 20180430074928.0
    record identifier: in00003904774