The music and sound of experimental film /

Bibliographic Details
Corporate Author:	ProQuest (Firm)
Other Authors:	Rogers, Holly (Professor of music) (Editor, Contributor), Barham, Jeremy, 1963- (Editor, Contributor)
Format:	eBook
Language:	English
Published:	New York, NY : Oxford University Press, [2017]
Subjects:	Motion picture music > History and criticism. Experimental films > History and criticism. Electronic books.
Online Access:	Connect to the full text of this electronic book

Table of Contents:

Cover; The Music and Sound of Experimental Film; Copyright; Dedication; Contents; Preface; Acknowledgements; List of Contributors; Introduction; 1. Absolute Sounding Images: Abstract Film and Radio Drama of the 1920s as Complementary Forms of a Media-Specific Art; 2. A Primitivism of the Senses: The Role of Music in Len Lye's Experimental Animation; 3. An Educational Avant-Garde: Sound and Music in Julien Bryan's OIAA Films on Latin America, 1942-1949; 4. "bump ... bup ... bup": Aural Innovation in the Films of Norman McLaren
5. Sights and Sounds of the Moving Mind: The Visionary Soundtracks of Stan Brakhage6. Discontinuities and Resynchronisations: The Use of Sound in Polish Experimental Cinema from the 1930s to the 1980s; 7. Grid Intensities: Hearing Structures in Chantal Akerman's Films of the 1970s; 8. Meaning and Musicality: Sound-Image Relations in the Films of John Smith; 9. Audiovisual Dissonance in Found-Footage Film; 10. Rebalancing the Picture-Sound Relationship: The Audiovisual Compositions of Lis Rhodes
11. Sounding Decay in the Digital Age: "Audio-Visions" of Decasia (2002) and Lyrical Nitrate (1991)12. The Sound of Queer Experimental Film; 13. Avant-Gardists and the Lure of Pop Music; 14. The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Intermedial Theory; Index