http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Routledge companion to Asian American media
Cover; Half Title; Title Page; Copyright Page; Table of Contents; Contributors; Acknowledgments; Chapter 1 Introduction: Why Asian American Media Matters; Postracial Media Environments, Industries, and the Relocation of Asian America; Outline of Chapters; Part I Theorizing Representation: Visions and Voices of Asian America; Chapter 2 Claiming a Voice: Speech, Self-Expression, and Subjectivity in Early Asian American independent Media; Voice, Subjectivity, and Asian American Identity; Voice and "Voice" in Early Asian American Independent Films; Syncretism, Asynchronicity, Voiceovers
Hearing the Negative Voice: Absence and MaterialityChapter 3 Diasporic Soundscapes of Belonging: Mediating Chineseness with Shanghai Restoration Project; Creating Shanghai Restoration Project; Unfixing Categories; Repackaging Chineseness; Rethinking Asian American Music; Conclusion; Chapter 4 Collectivity and Loneliness in Laurel Nakadate's Postracial Identity Aesthetics; The Rise of EthnoCommunications and Asian American Collectivity; Racializing Laurel Nakadate through Identity Aesthetics; Relationality and Scopophilia ; Loneliness as a Counter to Collectivity ; Conclusion
Chapter 5 Asian American Media Public Vernaculars: Debating the State of Asian American MediaPrivate Discussions to the Public Forum; Asian American Media as Storytelling: Making the Private Public; A Present/Future Paradigm Shift; (A)politicizing Asian American Stories and Storytelling; What Kind of Storytellers Are We?; Part II Asian American Media Production: Perspectives from Scholar-Practitioners; Chapter 6 The Coin of the Realm: Valuing the Asian American Feature-Length Film; Feature Films in Alternative Contexts; The "Class of 1997" and Reprogramming Festivals
Locating Race in Asian American Cinema: Dual Trajectories and BeyondChapter 7 Using the Tools of the YouTube Generation: How to Serve Communities through Asian American Film Festivals; Introduction: The New Media Landscape; Negotiating the Online-Offline Divide: An Operating Model for Film Festivals; Strengthening Relationships and Building Community; Concluding Thoughts; Chapter 8 Overcoming Barriers to Representation: Lessons from Asian American Women Directors; Face: Chinese Traditions and American Youth Culture; Saving Face: A Chinese American Lesbian Romantic Comedy
Advantageous: The Future of Gender and ClassConclusion; Chapter 9 "Perpetual Foreigners" in America: Transnationalism and Transformations of Asian American Cultural Identities in Three Documentary Films; First-Stage Asian American Films and the Narrative Turn; The "Perpetual Foreigner" ; Conclusion; Part III Hybrid Asian Americans: Media at the Margins; Chapter 10 Queer Experimental Asian American Media; Stan Brakhage: Disembodied Form; Gregg Araki: Formally Disavowing Embodiment as Identity ; Doom Generation and Splendor: Axis of Irresponsibility
edited by Lori Kido Lopez and Vincent N. Pham.
Includes bibliographical references and index.
[Place of publication not identified] : TAYLOR & FRANCIS, 2017