rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Typewriters, bombs, jellyfish
    sub title: essays
  title info:
    title: Essays. Selections
  name:
    name part: McCarthy, Tom
    name part: 1969 May 22-
    role:
      role term: creator
    role:
      role term: author.
  type of resource: text
  genre: Essays.
  origin info:
    place:
      place term: nyu
    date issued: 2017
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: print
    extent: 276 pages ; 21 cm
  abstract: "Essays on literature, pop culture, and more from the cult novelist and critic Tom McCarthy Fifteen brilliant essays written over as many years provide a map of the sensibility and critical intelligence of Tom McCarthy, one of the most original and challenging novelists at work today. Typewriters, Bombs, Jellyfish explores a wide range of subjects, from the weather considered as a form of media, to the paintings of Gerhard Richter and the movies of David Lynch, to Patty Hearst as revolutionary sex goddess, to the still-radical implications of established masterpieces such as Ulysses (how do you write after it?), Tristram Shandy, and the unsung junky genius Alexander Trocchi's darkly beautiful Cain's Book. The longer "Recessional" examines the place of time in writing--how writing makes a new time of its own, a time apart from institutional time--while the startling "Nothing Will Have Taken Place" moves from Mallarme and Don DeLillo to the ball mastery of Zidane to look at how art, whether that of a poet, novelist, or athlete, destroys given codes of meaning and behavior, returning them to play. Certain points of reference recur with dreamlike insistence--among them the artist Ed Ruscha's Royal Road Test, a photographic documentation of the roadside debris of a Royal typewriter hurled from the window of a traveling car; the great blooms of jellyfish that are filling the oceans and gumming up the machinery of commerce and military domination--and the question throughout is: How can art explode the restraining conventions of so-called realism, whether aesthetic or political, to engage in the active reinvention of the world?"--
  table of contents: Introduction: the coming goo -- Meteomedia, or why London's weather is in the middle of everything -- Why Ulysses matters -- Kool thing, or why I want to fuck Patty Hearst -- Get real, or what jellyfish have to tell us about literature -- Tristram Shandy: on balls and planes -- Recessional, or the time of the hammer -- Blurring the sublime: on Gerhard Richter -- The prosthetic imagination of David Lynch -- From feedback to reflux: Kafka's cybernetics of revolt -- The geometry of the pressant -- Stabbing the olive : Jean-Philippe Toussaint -- On Dodgem jockeys -- Nothing will have taken place except the place -- Semiconnected thoughts on Michel de Certeau, on Kawara, fly fishing, and various other things -- Kathy Acker's infidel heteroglossia.
  note: Tom McCarthy.
  subject:
    topic: LITERARY CRITICISM / Books & Reading
  subject:
    topic: LITERARY COLLECTIONS / Essays
  subject:
    topic: LANGUAGE ARTS & DISCIPLINES / General
  classification: PR6113.C369 A6 2017
  classification: 824/.92
  classification: LIT007000 LCO010000 LAN000000
  related item:
    title info:
      title: Typewriters, bombs, jellyfish
    name:
      name part: McCarthy, Tom, 1969 May 22- author.
    origin info:
      publisher: New York : New York Review Books, 2017
    identifier: (DLC) 2017020545
  identifier: 9781681370866
  identifier: 1681370867
  identifier: 2017003888
  record info:
    record content source: DLC
    record creation date: 170426
    record change date: 20170605133351.0
    record identifier: in00003852648
    language of cataloging:
      language term: eng